Les silences dans la dramaturgie giralducienne

• Authors: Bombard Françoise

Title variants

EN

The silences in Giraudoux’ dramaturgy

• Languages of publication: FR

Abstracts

EN

Technical and rhetorical devices used by Giraudoux to indicate silence varyduring its dramatic production. Silences have to do with relationships of the characters, both emotionally and dialogal, and are sometimes loaded the unspoken or unspeakable. By their relationship to the word and to the game, they are at the heart of a dramaturgy that oscillates between mimesis and rupture. And certain silences are like the limit assigned to the power of words in a theater yet claimed as literary.

Keywords

EN

game; mimesis; silence; unsaid; unspeakable

• Publisher: Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
• Journal: Quêtes littéraires
• Year: 2017
• Issue: 7
• Pages: 123-131

Contributors

author

Bombard Françoise

• Agrégée honoraire (France)

References

• Abiteboul M. 2011. La parole, le silence, le cri au théâtre. Théâtre du monde. 11.
• Blanchot M. 1969. L’Entretien infini. Paris. Gallimard.
• Graig E. G. 1964. Le Théâtre en marche. Traduction M. Beerblock. Paris Gallimard. Pratique du théâtre.
• Giraudoux J. 1982. Théâtre complet. Paris. Gallimard. coll. « Bibliothèque de la Pléiade ».
• Kowzan T. 1983. Vers la surthéâtralisation dans l’œuvre dramatique de Jean Giraudoux. Cahiers Jean Giraudoux 12, 100-112.
• Pavis P. 2004. Dictionnaire du théâtre. Paris. Armand Colin.

Identifiers

DOI

10.31743/ql.165