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2018 | 31 | 64-81

Article title

Visualising Poetry in Urban Space: The Gwanghwamun Poetry Placard

Authors

Content

Title variants

Languages of publication

EN

Abstracts

EN
Literature in general and poetry in particular play a key role in the preservation and transmission of the cultural code. In turn, the cultural code can act to unify a nation. This potential is sometimes used by commercial organisations in socially oriented advertising. A very interesting example of such advertising is the Gwanghwamun Poetry Placard, which originated in 1991 and is located on the Kyobo Life Building in Seoul, Republic of Korea (RK). At the beginning of each season, new poetic lines appear on the placard. These poetic lines are selected by a special committee as the most consistent with the spirit of the time and to meet the socio-psychological needs of the South Korean people. Using a comparative approach, the author analyses poetic stanzas from the Gwanghwamun Placard, which are remarkable in terms of their implicit content and design, to reveal the “isotopic lines” of the project and contribute to a better understanding of the cultural code of the society toward which the project is oriented.

Year

Issue

31

Pages

64-81

Physical description

Dates

published
2018-12-01

Contributors

  • Oriental Languages Department Faculty of Translation and Interpreting Moscow State Linguistic University

References

  • Nur Balkir, ‘Visual Culture in Art Teacher Education: A Turkish Case’, Procedia – Social and Behavioral Sciences, Vol. 2, Issue 2, 2010, p. 609.
  • Nicholas Mirzoeff, An Introduction to Visual Culture, London&New York: Routledge, 2005, p. 1.
  • William J.T. Mitchell, ‘Showing Seeing: a Critique of Visual Culture’, Journal of Visual Culture, Vol. 1, Issue 2, 2002, p. 165.
  • Ibid., p. 169.
  • Winfried Nöth, ‘Human Communication from the Semiotic Perspective’ in Theories of Information, Communication and Knowledge: A Multidisciplinary Approach, F. Ibecwe SanJuan & T.M. Dousa (eds.), Dordrecht, Heidelberg, New York, London: Springer, 2014, p. 106.
  • Roman Jakobson, ‘Results of a Joint Conference of Anthropologists and Linguists’ in R. Jakobson. Selected Writings: Word and Language, Vol.2, Hague: Mouton, 1971, pp. 558-559.
  • See Umberto Eco, A Theory of Semiotics, Bloomington: Indiana University Press, 1976; Umberto Eco, Semiotics and the Philosophy of Language, Bloomington: Indiana University Press, 1984.
  • See Yury M. Lotman, Culture and Explosion (Tr. by W. Clark), Berlin: de Gruyter Mouton, 2009.
  • See Claude Mangion, Philosophical Approaches to Communication, Bristol, Chicago: Intellect, 2011, pp.147-181.
  • 서효문 [Seo Hyo-mun], ‘광화문글판’의 잔잔한 울림, 책으로 만난다 [The Gentle Voice of the Gwanghwamun Poetry Placard, Hear it in the Book]’, Hanguk keumyung, August 19, 2015: http://www.fntimes.com/paper/view.aspx?num=140607&kind=43 (accessed 15.05.2018).
  • Kyobo official site: https://www.kyobo.co.kr/ci/gb/gb/SCIGBNLM003R01.form# (accessed 10.02.18).
  • Курбанов, С.О [Kurbanov, S.O.], История Кореи: с древности до начала XXI в. [History of Korea: from Antiquity to the Beginning of the XXI Century]. Saint-Petersburg: Saint-Petersburg State University Press, 2009, pp. 626-627.
  • The translation was taken from the Internet (unknown translator): http://kari-ohaayoo.tumblr.com/post/40452846546/autumn-postcard-by-ahn-do-hyun-one-by-one-leaves (accessed 23.05.2016).
  • 박기주 [Park Gi-ju]. “교보생명 광화문글판, 안도현 시인의 ‘가을엽서’로 새단장 [The Gwanghwamun Poetry Placard on the Kyobo Life Building, The New Stanza is from the Poem by An Do-hyeon “Autumn postcard”]”, JoongAng Ilbo, September 03, 2012, http://news.joins.com/article/9217901 (accessed 11.06.2018).
  • Translation of the first two lines was taken from Wislawa Szymborska, Poems new and collected: 1957-1997 (Tr. by S. Baranczak & C. Cavanagh), Orlando, etc.: A Harvest Book Harcourt Inc., 1998, p. 20.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-eda79f43-9fbb-44d5-a4a7-e10866b6abe6
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