Od rytmizacji do oper i baletów. Wokół muzycznych inscenizacji Jana Dormana

• Authors: Figzał-Janikowska Magdalena

Title variants

EN

From Rhythmisation to Operas and Ballets. About the Musical Staging in Jan Dorman’s Theatre

Abstracts

EN

The paper addresses the issue of musicality in the theatre of Jan Dorman, in particular his last productions, in which music was a starting point for the staging concept. “Musical” thinking about the theatre always had a strong impact on Dorman’s creative process. His first productions included children’s songs and counting rhymes, and this led to a rhythmisation of the text in the subsequent ones. Composing the spectacle along the lines of a musical score, which became the hallmark of Jan Dorman’s theatre, is especially prominent in his last theatre works inspired by larger musical forms, such as concert, ballet and opera. These performances represent a synthesis of various musical tropes and signs that were so characteristic of Dorman’s theatre at various stages of its development.

Keywords

EN

Jan Dorman; theatre music; rhythmisation; opera; ballet; Karol Szymanowski

• Publisher: Polska Akademia Nauk. Instytut Sztuki PAN
• Journal: Pamiętnik Teatralny
• Year: 2019
• Issue: 3-4(271-272)
• Pages: 141-160

Contributors

author

Figzał-Janikowska Magdalena

• Uniwersytet Śląski w Katowicach

References

• Dorman, J. (1968). Lalka w inscenizacji. Teatr Lalek, nr 1-2, 40-45.
• Dorman, J. (1981). Zabawa dzieci w teatr. Warszawa.
• Dowsilas, I. (1978). Muzyka w Teatrze dzieci Zagłębia [praca magisterska]. Katowice: Akademia Muzyczna w Katowicach.
• Jurkowski, H. (1987). Metoda Teatru Dormana. Teatr Lalek, nr 1-2, 24-31.
• Tomaszewska, E. (2012). Jan Dorman, własną drogą. Katowice.
• Źródła archiwalne: Archiwum Jana Dormana: Instytut Teatralny im. Z. Raszewskiego w Warszawie.