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2013 | 4 | p. 25-38

Article title

Appelé à prendre la parole: The Parisian Romanticism of Adam Mickiewicz and George Sand

Authors

Title variants

Languages of publication

EN

Abstracts

EN
This paper examines the role of the word, whether spoken or written, in Adam Mickiewicz’s reception in France during the July Monarchy. It begins with a discussion of the poet’s conception of speech (parole) and self-presentation in his Parisian lectures at the Collège de France, demonstrating the religious nature of the poet’s relationship with language. It subsequently explores the writings of George Sand about the Polish poet, arguing that she was interested primarily in Mickiewicz’s religiosity and the style and eloquence of his improvisations. Finally, the paper concludes with a discussion of the role of speech within the Parisian reception to the Wielka Emigracja at large.

Year

Volume

4

Pages

p. 25-38

Physical description

Contributors

author
  • University of Kansas’s Center for Russian, Eurasian and East European Studies

References

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-f65b9783-e15e-43a3-b6d4-97add6c34b6d
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