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2016 | 2(41) | 77-98

Article title

What’s Wrong with the (White) Female Nude?

Authors

Content

Title variants

Languages of publication

EN

Abstracts

EN
In “What’s Wrong with the (Female) Nude?” A. W. Eaton argues that the female nude in Western art promotes sexually objectifying, heteronormative erotic taste, and thereby has insidious effects on gender equality. In this response, I reject the claim that sexual objectification is a phenomenon that can be generalized across the experiences of all women. In particular, I argue that Eaton’s thesis is based on the experiences of women who are white, and does not pay adequate attention to the lives of nonwhite women. This act of exclusion undermines the generality of Eaton’s thesis, and exposes a more general bias in discussions of female representations in art. Different kinds of bodies have been subjected to different kinds of objectifying construal, and the ethics of nudity in art must be extended to take such variation into account.

Year

Issue

Pages

77-98

Physical description

Dates

published
2016

Contributors

author
  • The City University of New York

References

Document Type

Publication order reference

Identifiers

ISSN
1643-1243

YADDA identifier

bwmeta1.element.desklight-f824855f-4ae8-4a7b-8f63-8d2ceeed9c8e
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