Słuchanie zawsze na nowo

• Authors: Brożek Daniel
• Languages of publication: PL

Abstracts

EN

François Bayle’s theoretical and technological experiments in the perception and nature of sound went hand in hand with incredibly profound and syste- matic work. He composed over 100 works – many of them (such as his renow- ned series entitled L’Expérience Acoustique 1969–1972; Son Vitesse-Lumière, 1980–1983) are oft en mentioned in the same breath as Ferrari’s Presque Rien, Parmegani’s De Natura Sonorum, Xenakis’s Concret PH, and Henry’s Le Voy- age. His work epitomizes the modernist quest for the new in the world of sound, from musique concrète, through electroacoustics, acousmatics and octophony which examine the relation between sound and space, to the theory of the nature and perception of sound, which explores the notion of time in music (light speed sound, images-of-sound).

Keywords

PL

Francois Bayle; muzyka konkretna; audiosfera; pejzaż dźwiękowy; muzyka elektroniczna; muzyka współczesna; sound art

• Publisher: Uniwersytet Wrocławski, Instytut Kulturoznawstwa, Pracownia Badań Pejzażu Dźwiękowego
• Journal: Audiosfera. Koncepcje – Badania – Praktyki
• Year: 2016
• Issue: 2(4)
• Pages: 51-59

Contributors

author

Brożek Daniel