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2012 | 21/1 | 17-30

Article title

The Great War Revisited: The Laughter of the Fool and the Shame of the Coward in Paul Bailey’s Old Soldiers

Content

Title variants

Languages of publication

EN

Abstracts

EN
The purpose of the paper is an analysis of the representations of the cultural memory of the Great War in Paul Bailey’s novel Old Soldiers. The discussion will focus on the metaphorical representation of the futility myth (laughter) and the psychological representation of the crisis of masculinity (shame). The laughter of the fool has obvious connotations with the Book of Ecclesiastes, yet, as the analysis will prove, the depiction of the memory of the first day of the Somme battle through the prism of laughter has an important predecessor in Ted Hughes’s poetic sequence Crow. The attempts to escape the memory of cowardly conduct will be set in the context of the psychology of shame, which will allow deeper insight into the construction of the antihero in British literature about the Great War.

Contributors

  • University of Warsaw

References

  • Bailey, Paul. 1999. Old Soldiers. London: Fourth Estate.
  • Bentley, Paul. 1997. “Depression and Ted Hughes’s Crow, or through the Looking Glass and What Crow Found There.” Twentieth Century Literature, Vol. 43, No. 1 (Spring). 27–40.
  • Bourke, Joanna. 1999. Dismembering the Male: Men’s Bodies, Britain and the Great War. London: Reaktion Books.
  • Bourke, Joanna. 2006. Fear: A Cultural History. London: Virago Press.
  • Eksteins, Modris. 2000. Rites of Spring: The Great War and the Birth of the Modern Age. Boston and New York: A Mariner/Peter Davison Book.
  • Eyles-Thomas, Mark. 2007. Sod That: For a Game of Soldiers. Stansted Sevenoaks: Kenton Publishing.
  • Fussell, Paul. 2000. The Great War and Modern Memory. Oxford: Oxford University Press.
  • Holmes, Richard. 2004. Acts of War: The Behaviour of Men in Battle. London: Cassell Military Paperbacks.
  • Hughes, Ted. 1972. Crow: From the Life and Songs of Crow. London: Faber & Faber.
  • Jerrold, Douglas. 1930. The Lie About the War. London: Faber & Faber.
  • Keegan, John. 1999. The First World War. London: Pimlico.
  • Leed, Eric J. 1978. “Class and Disillusionment in World War I.” The Journal of Modern History, Vol. 50, No. 4 (December). 680–699.
  • Leed, Eric J. 1979. No Man’s Land: Combat and Identity in World War I. Cambridge: Cambridge University Press.
  • Leys, Ruth. 2007. From Guilt to Shame: Auschwitz and After. Princeton and Oxford: Princeton University Press.
  • Manning, Frederic. 1990. The Middle Parts of Fortune. London: Penguin Books.
  • Middlebrook, Martin. 1984. 1 July 1916. The First Day on the Somme. London: Penguin Books.
  • Van Emden, Richard. 2005. Boy Soldiers of the Great War. London: Headline.
  • Pick, Daniel. 1993. War Machine: The Rationalisation of Slaughter in the Modern Age. New Haven and London: Yale University Press.
  • Piers, Gerhart. 1971. “Shame and Guilt: A Psychoanalytical Study.” Gerhart Piers and Milton B. Singer. Shame and Guilt: A Psychoanalytical and a Cultural Study. New York: W. W.Norton.
  • Ramsey, Jarold. 1983. “Crow, or the trickster transformed.” The Achievement of Ted Hughes. Ed. Keith Sagar. Manchester: Manchester University Press. 171–185.
  • Read, Herbert. 1946. Collected Poems. London: Faber and Faber.
  • Tangney, June Price, and Ronda L. Dearing. 2004 Shame and Guilt. New York and London: The Guilford Press.
  • Witte, John C. 1980 “Wotan and Ted Hughes’s Crow”, Twentieth Century Literature, Vol. 26, No. 1 (Spring). 38–44.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-fba147de-300d-4c23-8b3a-c02c5e625046
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