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2015 | 24 | 1 | 24-43

Article title

Identifying with Dexter

Authors

Title variants

Languages of publication

EN

Abstracts

EN
Many contemporary high quality TV series tend to enable identification with protagonists who engage in morally dubious or outright abject acts. This essay takes Showtime’s series Dexter as a pre-eminent and extreme example of this tendency, and explores how the viewer’s identification with the serial-killing protagonist of the show is constructed and altered throughout several seasons of the series. In order to analyze the specific relation between Dexter and its audience, this essay first examines the more general possibility television series to produce firm identification of viewers with protagonists by comparing the format of the television series to two media that can be understood as its predecessors: literature and film.

Keywords

Publisher

Year

Volume

24

Issue

1

Pages

24-43

Physical description

Dates

published
2015-06-01
online
2015-08-21

Contributors

author
  • Leiden University

References

  • Amper, Susan. “Dexter’s Dark World: The Serial Killer as Superhero.” In Serial Killers and Philosophy. Ed. Sara Waller. Malden:Blackwell, 2010. 103-114.
  • Bruijn, Peter de. “Beter dan Film.” NRC Handelsblad 5 November 2010.
  • Canby, Vincent. “From the Humble Mini-Series Comes the Magnificent Megamovie.” New York Times 31 October 1999.
  • Brophy, Matthew. “Sympathy for the Devil: Can a Serial Killer Ever Be Good?” Serial Killers and Philosophy. Ed. by Sara Waller. Malden: Blackwell, 2010. 78-89.
  • Freud, Sigmund. Beyond the Pleasure Principle. First published in German in 1920. Trans. John Reddick. London: Penguin Books Ltd, 2003.
  • McGrath, Charles. “The Triumph of the Prime-Time Novel.” Television: The Critical View. Ed. by Horace Newcomb. New York: Oxford U.P., 2000. 242-252.
  • Mittell, Jason. “Narrative Complexity in Contemporary American Television.” The Velvet Light Trap 58 (2006): 29-40.
  • Modleski, Tania. “The Search for Tomorrow in Today’s Soap Operas: Notes on a Feminine Narrative Form.” Film Quarterly 33.1 (1979): 12-21.
  • Porter, Michael J., D.L. Larson, A. Harthcock, and K.B. Nellis. “Re(de)fining Narrative Events: Examining Television Narrative Structure.” Journal of Popular Film and Television 30 (2002): 23-30.
  • Silverman, Kaja. The Threshold of the Visible World. New York: Routledge, 1996.
  • Thompson, Kristin. Storytelling in Film and Television. Cambridge, MA: Harvard U.P., 2003.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_1515_abcsj-2015-0002
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