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2015 | 25 | 1 | 119-131

Article title

Re-Working Shakespeare: Heiner Müller’s Macbeth

Title variants

Languages of publication

EN

Abstracts

EN
This article focuses on particular meanings of the term “work,” as related first to the process of adapting Shakespeare and secondly to the ideological and philosophical resonances of this term as employed in the socialist propaganda in East Germany and which Heiner Müller introduces into Shakespeare’s text and gives an ironical twist to. In the first part it points to a few aspects of East German doctrinaire readings of Shakespeare, which were further contested and deconstructed in Müller’s translation cum adaptation. The final part zooms in on the reconfiguring of the established meanings attached to the concept of work in Müller’s rewriting of Macbeth and on the relation between these meanings and the philosophy of history he proposes in his adaptation.

Publisher

Year

Volume

25

Issue

1

Pages

119-131

Physical description

Dates

published
2015-12-01
online
2016-02-12

Contributors

  • University of Bucharest

References

  • Abusch, Alexander. Shakespeare Realist und Humanist, Genius der Weltliteratur. Berlin: Aufbau Verlag, 1964. Print.
  • Gomes, Miguel Ramalhete. Texts Waiting for History. William Shakespeare Re- Imagined by Heiner Müller. Amsterdam & New York: Rodopi, 2014. Print.
  • Guntner, Lawrence. “Introduction: Shakespeare in East Germany: Between Appropriation and Deconstruction.” Redefining Shakespeare. Literary Theory and Theatre Practice in the German Democratic Republic. Ed. Lawrence
  • Guntner and Andrew M.McLean. Newark & London: University of Delaware Press, Associated University Press, 1998. 29-57. Print.
  • Guntner, Lawrence. “Rewriting Shakespeare: Bertolt Brecht, Heiner Müller and the Politics of Performance.” Shakespeare and European Politics. Ed. Dirk Delabastita et al. Newark: University of Delaware Press, 2008. 179-195. Print.
  • Harich, Wolfgang. “Der entlaufene Dingo, das vergessene Floss: Aus Anlass der Macbeth-Bearbeitung von Heiner Müller,” Sinn und Form 1 (1973): 189-218. Print.
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  • Ionesco, Eugen. Macbett. Paris: Galimard Education, 1975. Print.
  • Kalb, Joanthan. The Theatre of Heiner Müller. Cambridge: Cambridge University Press, 1998. Print.
  • Kott, Jan. Shakespeare Our Contemporary. Trans. Boleslaw Taborski. London: Routledge, 1988. Print.
  • Müller, Heiner. Heiner Müller After Shakespeare: Macbeth/Anatomy Titus Fall of Rome. Trans. Carl Weber and Paul David Young. New York: Performing Arts Journal Publications, 2012. Print.
  • Müller, Heiner. Macbeth, Nach Shakespeare. Frankfurt am Main: Verlag Der Autoren, 1990. Print.
  • Nicolaescu, Madalina. “Kott in the East.” Empson, Wilson Knight, Barber, Kott. Great Shakespeareans XIII. Ed. Hugh Grady. London and New York: Continuum, 2012. Print.
  • Scarry, Elaine. The Body in Pain. The Making and Unmaking of the World. Oxford: Oxford University, 1985. Print.
  • Schlösser, Anselm. “Die Welt hat keinen Ausgang als zum Schinder”: Ein Diskussionsbeitrag zu Heiner Müller’s Macbeth.” Theater der Zeit 8 (1972): 46-47. Print.
  • Schlosser, Anselm, Fritz Bennewitz, Gerd-Armind Kuckhoff, Robert Weimann, Rolf Rohmer und Johanna Rudoph. “Das Werk Shakespeares: Interpretationen, Adapation, Bearbeitung, Neuschopfung- Rundtischgesprach.” Shakespeare Jahrbuch 10 (1974): 10-34. Print.
  • Shakespeare, William. Macbeth. The New Cambridge Shakespeare. Cambridge: Cambridge University Press, 1997. Print.
  • Walenski, Tanja. Verweigerte Entstalinisierung. Die Beziehungen des Literatursystems DDR zur Sovietunion 1961-1989. Frankfurt am Main, Bern, Berlin: Peter Lang: 2006. Print.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_1515_abcsj-2015-0010
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