Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2015 | 2 | 1 | 56-63

Article title

Commentary on The Psychology of Creativity: A Critical Reading

Authors

Title variants

Languages of publication

EN

Abstracts

EN
This commentary will take the form of a critical examination into the six research gaps identified by Glăveanu (2014a) in the article The Psychology of Creativity: A Critical Reading by examining carefully whether the proposed criticisms are supported by research evidence and will attempt to focus the discussion on accumulating knowledge of theories in the psychology of education. To consolidate theory construction in the psychology of creativity, researchers should give concise operational definitions that can be examined by reliable and valid measurements with identifiable units of analysis in general or specific participants. Given explicit evidence of this kind, educators can be best informed about how to define, assess, and develop human creativity when applying these theories.

Publisher

Year

Volume

2

Issue

1

Pages

56-63

Physical description

Dates

published
2015-06-01
received
2014-10-27
revised
2015-02-18
accepted
2015-02-21
online
2015-05-26

Contributors

  • City University of Hong Kong, China

References

  • Amabile, T. M. (1982). Social psychology of creativity: A consensual assessment technique. Journal of Personality and Social Psychology, 43, 5, 997-1013.[Crossref]
  • Batey, M. (2012). The measurement of creativity: From definitional consensus to the introduction of a new heuristic framework. Creativity Research Journal, 24, 1, 55-65.[WoS][Crossref]
  • Batey, M., Chamorro-Premuzic, T. & Furnham, A. (2010). Individual differences in ideational behavior: Can the Big Five and psychometric intelligence predict creativity scores? Creativity Research Journal, 22, 90–97.[Crossref]
  • Batey, M., Chamorro-Premuzic, T. & Furnham, A. (2009). Intelligence and personality as predictors of divergent thinking: The role of general, fluid and crystallised intelligence. Thinking Skills and Creativity, 4, 60–69.
  • Černe, M., Jaklič, M. & Škerlavaj, M. (2013). Authentic leadership, creativity, and innovation: A multilevel perspective. Leadership, 9, 1, 63-85.
  • Cohen, L. M. (1989). A continuum of adaptive creative behaviors. Creativity Research Journal, 2, 3, 169-183.[Crossref]
  • Csikszentmihalyi, M. (1988). Society, culture, and person: A systems view of creativity. In R. J. Sternberg (Ed.), The nature of creativity: Contemporary psychological perspectives (pp. 325-339). New York, NY: Cambridge University Press.
  • Egan, T. M. (2005). Factors influencing individual creativity in the workplace: An examination of quantitative empirical research. Advances in Developing Human Resources, 7, 2, 160-181.
  • Glăveanu, V. P. (2014a). The psychology of creativity: A critical reading. Creativity. Theories – Research – Applications, 1, 1, 10-32; DOI: 10.15290/ctra.2014.01.01.02.
  • Glăveanu, V. P. (2014b). Thinking through creativity and culture: Toward an integrated model. New Brunswick, NJ: Transaction Publishers; DOI: 10.15290/ctra.2014.01.02.15
  • Goncalo, J. A., Flynn, F. J., & Kim, S. H. (2010). Are two narcissists better than one? The link between narcissism, perceived creativity, and creative performance. Personality and Social Psychology Bulletin, 36, 11, 1484-1495.[WoS][Crossref]
  • Guilford, J. P. (1950). Creativity. American Psychologist, 5, 444–454.[Crossref]
  • falseHass, R. W. (2012). Historiometry as extension of the Consensual Assessment Technique: A comment on Kaufman and Baer. Creativity Research Journal, 25, 3, 356-360.[WoS]
  • Hon, A. H. Y. (2013). Does job creativity requirement improve service performance? A multilevel analysis of work stress and service environment. International Journal of Hospitality Management, 35, 161-170.[Crossref]
  • Jesus, S. N., Rus, C. L., Lens, W. & Imaginario, S. (2013). Intrinsic motivation and creativity related to product: A meta-analysis of the studies published between 1990–2010. Creativity Research Journal, 25, 1, 80–84.[Crossref][WoS]
  • Karwowski, M. & Uszynska-Jarmoc, J. (2014). Creativity: The show must go on. Creativity. Theories-Research-Applications, 1, 1, 4-9; DOI: 10.15290/ctra.2014.01.01.01.
  • Kaufman, J. C. & Baer, J. (2012). Beyond new and appropriate: Who decides what is creative? Creativity Research Journal, 24, 1, 83–91.[Crossref][WoS]
  • Kaufman, J. C. & Beghetto, R. A. (2009). Beyond big and little: The four c model of creativity. Review of General Psychology, 13, 1, 1-12.[WoS][Crossref]
  • Kaufman, J. C., Plucker, J. C. & Baer, J. (2008). Essentials of creativity assessment. Hoboken, NJ: Wiley.[WoS]
  • Kaufman, J. C., Waterstreet, M. A., Aliaouni, H. S., Whitcomb, H. J., Roe, A. K. & Riggs, M. (2009). Personality and self-perceptions of creativity across domains. Imagination, Cognition and Personality, 29, 3, 196-209.
  • Leong, S. (2011). Creativity and the arts in Chinese societies. In J. Sefton-Green, P. Thomson, K. Jones & L. Bresler (Eds.), The Routledge international handbook of creative learning (pp. 54-62). Abingdon, UK: Routledge.
  • Liu, D., Chen, X. P. & Yao, X. (2011). From autonomy to creativity: A multilevel investigation of the mediating role of harmonious passion. Journal of Applied Psychology, 96, 2, 294-309.[WoS][Crossref]
  • Long, H. Y., Plucker, J. A., Yu, Q., Ding, Y. & Kaufman, J. C. (2014). Research productivity and performance of journals in the creativity sciences: A bibliometric analysis. Creativity Research Journal, 26, 3, 353–360.[Crossref][WoS]
  • Runco, M. A. &Abdullah, A. M. (2014) Why isn’t creativity being supported? Distressing analyses of grants and awards for creativity research – or lack thereof. Creativity Research Journal, 26, 2, 248–250.[WoS][Crossref]
  • Runco, M. A. & Jaeger, G. J. (2012). The standard definition of creativity. Creativity Research Journal, 24, 1, 92-96.[Crossref]
  • Runco, M. A. & Pagnani, A. R. (2011). Psychological research on creativity. In J. Sefton-Green, P. Thomson, K. Jones, & L. Bresler (Eds.), The Routledge international handbook of creative learning (pp. 63–71). Abingdon, UK: Routledge.
  • Simonton, D. K. (1999). Creativity from a historiometric perspective. In R. J. Sternberg (Ed.), Handbook of creativity: Contemporary psychological perspectives (pp.116-133). New York, NY: Cambridge University.
  • Stierand, M., Dörfler, V. & MacBryde, J. (2014). Creativity and innovation in haute cuisine: Towards a systemic model. Creativity and Innovation Management, 23, 1,15-28.
  • Wallas, G. (1926). The art of thought. New York, NY: Harcourt-Brace.
  • Weick, K. E. (1989). Theory construction as disciplined imagination. Academy of Management Review, 14, 4, 516-532.
  • Williams, R. L. (1999). Operational definitions and assessment to higher order cognitive constructs. Educational Psychology Review, 11, 4, 411-427.[Crossref]
  • Zhou, J., Shin, S. J. & Cannella, A. A., Jr. (2008). Employee self-perceived creativity after mergers and acquisitions: Interactive effects of threat-opportunity perception, access to resources, and support for creativity. Journal of Applied Behavioral Science, 44, 4, 397-421.[WoS][Crossref]

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_1515_ctra-2015-0008
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.