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Journal

2015 | 14 | 1 | 119-137

Article title

Postfeminist Fiction in Chick Lit Novels

Title variants

Languages of publication

EN

Abstracts

EN
The intersection of postfeminist arguments with popular culture and popular cultural forms is of great significance for investigating representational politics and issues of identity. These elements are central for capturing the concept of feminist heterogeneity in its engagement with cultural theory, particularly postmodernism. This study considers postfeminism’s redefinition and reevaluation of popular culture, as an area of political and emblematic contestation.

Publisher

Journal

Year

Volume

14

Issue

1

Pages

119-137

Physical description

Dates

published
2015-12-01
online
2016-02-29

Contributors

  • Ovidius University, Constanta, 1, Aleea Universității, Constanța 900470, Romania

References

  • Austen, Jane. 2003 (1813). Pride and Prejudice. (1813). New York: Barnes & Noble Classics.
  • Anderson, Emma. 2006. Representation of Female Sexuality in Australian Chick Lit Texts and Reading Anais Nin on the Train. University of New South Wales: School of English, 2006 [Online] Available: [Accessed 2014, December 11].
  • Baudrillard, Jean. 1994. Simulacra and Simulation. Translated by Sheila Faria Glaser. University of Michigan Press.
  • Brooks, Ann. 1997. Postfeminisms. Feminism, Cultural Theory and Cultural Forms. London and New York: Routledge.
  • Faludi, Susan. 1991. Backlash: The Undeclared War against American Women. New York: Three Rivers Press.
  • Ferriss, Suzanne and Mallory Young (Eds.). 2006. Chick lit: The New Woman’s Fiction. New York: Routledge.
  • Fielding, Helen. 1996. Bridget Jones’s Diary. Viking Penguin Publications.
  • Gill, Rosalind and Elena Herdieckerhoff. 2006. Re-writing the Romance? Chick lit after Bridget Jones. London School of Economics. Gender Institute. London: WC2A
  • Harzewski, Stephanie. 2011. Chick Lit and Postfeminism. Charlottesville and London: Virginia University Press.
  • Kaplan, J. Louise. 2006. Cultures of Fetishism. New York: Palgrave MacMillan.
  • Kinsella, Sophie. 2000. The Secret Dreamworld of a Shopaholic. Great Britain. The Random House Group LTD. Black Swan Publications.
  • Lodziak, Conrad. 2002. The Myth of Consumerism. London: Pluto Press.
  • McCracken, Ellen. 1993. Decoding Women’s Magazines: From Mademoiselle to Ms. New York: St. Martin’s Press.
  • McRobbie, Angela. 2009. The Aftermath of Feminism. London: SAGE Publications.
  • Milner, Andrew and Jeff Browitt. 2002. Contemporary Cultural Theory. Third Edition. Australia: Allen & Unwin.
  • Poster, Mark. 2002. Jean Baudrillard: Selected Writings: Second Edition. London: Stanford University Press.
  • Radway, Janice. 1991. Reading Romance. Women, Patriarchy, and Popular Literature. Chapel Hill: The University of North Carolina Press.
  • Regis, Pamela. 2003. A Natural History of the Romance Novel. Philadelphia: University of Pennsylvania Press.
  • Smith, J. Caroline. 2008. Cosmopolitan Culture and Consumerism in Chick Lit. William E. Cain (Ed.). Wellesley College. Routledge Publisher.
  • Weisberger, Lauren. 2003. The Devil Wears Prada. New York: Broadway Books.
  • Wells, Juliette. 2006. “Mothers of Chick Lit? Women Writers, Readers, and Literary History” in Chick Lit. The New Woman’s Fiction. Suzanne Ferriss and Mallory Young (Eds.). New York: Routledge, pp. 47-70.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_1515_genst-2016-0008
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