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2015 | 3 | 3 | 135-143

Article title

Queering gender in contemporary female Bildung narrative

Title variants

Languages of publication

EN

Abstracts

EN
The paper explores, in the context of feminist discussions about the Bildungsroman, a contemporary British novel that offers shocking images of female coming of age at the turn of the millennium. Queering gender and introducing male elements into the heroine’s process of maturation, the analysed novel appears to raise questions about the continuous relevance of the feminist distinction between male and female version of the genre. The paper however argues that although significantly rewriting both female Bildung and pornographic narratives, Helen Walsh’s Brass can still be read as a variation of the female Bildungsroman and an example of its contemporary developments.

Publisher

Year

Volume

3

Issue

3

Pages

135-143

Physical description

Dates

published
2015-09-01
online
2015-10-15

Contributors

  • Faculty of Arts, Pavol Jozef Šafárik University, Petzvalova 4, Košice, Slovakia

References

  • Abel, E., Hirsch, M. & Langland, E. (Eds). (1983). Voyage in: Fictions of female development. Hanover and London: UP of New England.
  • Buckley, J. H. (1974). Season of youth: The Bildungsroman from Dickens to Golding. Cambridge, Massachusetts: Harvard UP.
  • Curry, R. C. (1998). ‘I ain’t no friggin’ little wimp’: The girl ‘I’ narrator in contemporary fiction. In Saxton, R. O. (Ed). The girl: Construction of the girl in contemporary fiction by women (pp. 95-105). New York: St. Martin’s Press.
  • Ellis, L. (1999). Appearing to diminish: Female development and the British Bildungsroman, 1750-1850. London: Associated UP.
  • Fraiman, S. (1993). Unbecoming women: British women writers and the novel of development. New York: Columbia UP.
  • Gamallo, I. C. A. (1998). Subversive storytelling: The construction of lesbian girlhood through fantasy and fairy tale in Jeanette Winterson’s Oranges Are Not the Only Fruit. In Saxton, R. O. (Ed). The girl: Construction of the girl in contemporary fiction by women (pp. 119-134). New York: St. Martin’s Press.
  • Helen Walsh: young, gifted, bold as brass (2008, March 7). The Independent. Retrieved from: http://www.independent.co.uk/arts-entertainment/books/features/helen-walsh-young-giftedbold-as-brass-792492.html
  • Howe, S. (1930). Wilhelm Meister and his English kinsmen: Apprentices to life. New York: Columbia UP.
  • Labovitz, E. K. (1986). The myth of the heroine: The female Bildungsroman in the twentieth century, Dorothy Richardson, Simone de Beauvoir, Doris Lessing, Christa Wolf. New York: Peter Lang.
  • Lloyd, G. (1993). The man of reason: “Male” and “female” in Western philosophy. London: Routledge.
  • McWilliams, E. (2009). Margaret Atwood and the female Bildungsroman. Surrey: Ashgate.
  • Moretti, F. (2000). The way of the world: The Bildungsroman in European culture. Trans. Albert Sbragia. New ed. London/New York: Verso.
  • Spencer, M. M., & Watson, V. (2003). Coming of age in children's literature: Growth and maturity in the work of Phillippa Pearce, Cynthia Voigt and Jan Mark. London: Continuum.
  • Summerfield, G. & Downward, L. (2010). New perspectives on the European Bildungsroman. London: Continuum.
  • Walsh, H. 2004. Brass. Edinburgh: Cannongate.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_1515_jolace-2015-0027
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