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2016 | 4 | 2 | 153-166

Article title

Mathematics and Liberature: Fajfer’s Ten Letters

Title variants

Languages of publication

EN

Abstracts

EN
The article discusses liberature in the context of its mathematical qualities. In this trend which inextricably connects the textual and physical layer of the work, each element in the book is expected to be created according to a certain formula which should bring a holistic piece of literature. After 1999, a great number of mathematically-oriented works have appeared which are strictly liberary. In the presentation, I base on the theoretical idea behind liberature when discussing Zenon Fajfer’s liberary work Ten Letters (Pol. Dwadzieścia jeden liter). This innovative piece is analysed mainly from the point of view of geometry and play with numbers, which is visible already in the title: the ten-letter phrase “ten letters.” Mathematical qualities are indicated on various layers of the piece: the physical, the textual, and the visual, but especially in its form. The game of numbers is found not only where it is obviously visible and essential to understand the message, but also in places which might not have been intended. Liberature is analysed as literature but at the same time, it is shown not to be literature, and in this respect, to be mathematical at the core.

Keywords

Publisher

Year

Volume

4

Issue

2

Pages

153-166

Physical description

Dates

published
2016-05-01
online
2016-07-14

Contributors

  • University of Silesia in Katowice, ul. Grota-Roweckiego 5, 41-200 Sosnowiec, Poland

References

  • BAZARNIK, K. & FAJFER, Z. (2000, 2010). Oka-leczenie. Kraków: Ha!art.
  • FAJFER, Z. (2004, 2009). But Eyeing Like Ozone Whole. Kraków: Ha!art.
  • FAJFER, Z. (2010). Ten Letters and Primum Mobile. Kraków: Ha!art.
  • BAZARNIK, K. (2007). Liberature: A New Literary Genre? In Ljungberg, C., Fischer, O., & Tabakowska, K. (Eds.), Insistent Images (pp. 191-208). Amsterdam and Philadelphia: John Benjamins Publishing.
  • BAZARNIK, K. (2009). Liberature: Literature in The Form of The Book. http://www.bookarts.uwe.ac.uk/contrad09/conpdfs/liberature.pdf (25 Jul. 2015).
  • BAZARNIK, K. & FAJFER, Z. (2010). Two Throws of the Dice or the Special and General Theory of Liberature. Trans. Bazarnik, K. In Bazarnik, K. (Ed.), Liberature or Total Literature (pp. 123-126). Kraków: Ha!art.
  • BIRKEN, M. & COON, A. (2008). Discovering Patterns in Mathematics and Poetry. Amsterdam and New York: Rodopi.
  • COLLELLMIR, D. (2011). El corazón matemático de la literatura: Una selección de obras en lengua inglesa procedentes de diversas culturas. Tarragona: URV Publicacions.
  • FAJFER, Z. (2010b). Liberature. Appendix to a Dictionary of Literary Terms. Trans. Bazarnik, K. In Bazarnik, K. (Ed.), Liberature or Total Literature (pp. 22-28). Kraków: Ha!art.
  • FUJIWARA, M. (2015). Literature and Mathematics. Trans. Okamoto, S., Asymptote. http://www.asymptotejournal.com/article.php?cat=Nonfiction&id=4.
  • GUILLEN, M. (1995). Five Equations that Changed the World: The Power of Poetry and Mathematics. New York: Hyperion.
  • HALMOS, P. (1973). Mathematics As a Creative Art. http://math.slu.edu/~srivastava/Halmos.pdf
  • HOFFMAN, P. (1998). The Man Who Loved Only Numbers. New York: Hyperion.
  • JEŻYK, Ł. (2010). Behold, Believe, Beknow: Zenon Fajfer’s ten letters. Trans. Bazarnik K. In Bazarnik, K. (Ed.), Liberature or Total Literature (pp. 174-186). Kraków: Ha!art.
  • KALAGA, W. (2010). Tekst hybrydyczny. Polifonie i aporie doświadczenia wizualnego. In Bolecki, W. & Dziadek, A. (Eds.), Kulturowe wizualizacje doświadczenia (pp. 74-104). Warszawa: Instytut Badań Literackich.
  • MARGOLIN, U. (2005). Russian Formalism. In Groden, M., Kreiswirth, M., & Szeman, I. (Eds.), The Johns Hopkins Guide to Literary Theory and Criticism (no pagination). Baltimore: Johns Hopkins University Press.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_1515_jolace-2016-0022
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