Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


Journal

2014 | 2014 | 1 | 35-49

Article title

Inchbald’S Kotzebue: The Wise Man of the East (1799) and Social Assemblage Theory

Authors

Title variants

Languages of publication

EN

Abstracts

EN
This article argues that Lord Mansfield's judgement in favour of the actor Charles Macklin in 1775 wrought a profound change on noisy and disruptive theatre auditoriums. Mansfield ruled that persons returning to theatres to repeatedly disrupt performances were guilty of conspiracy and performers' lost earning were assessed as felonies in English common law. Those found guilty might have substantial damages awarded against them and might be liable for a prison sentence. The paper traces that Garrick's Drury Lane was repeatedly disrupted but with no action being taken, even though ringleaders had been identified. Macklin's case, arising from his engagement at Covent Garden, suppressed repeatedly rowdy evenings. The paper suggests that Sarah Siddons's rise at Drury Lane from 1782 onwards was linked to these changes in the legal environment for stage performers.

Publisher

Journal

Year

Volume

Issue

1

Pages

35-49

Physical description

Dates

published
2014-02-01
online
2015-04-18

Contributors

author
  • Nottingham Trent University

References

  • “Account Book: Theatre Royal, Drury Lane.” Folger W.b. 327, Folger Shakespeare Library, Washington D.C. Print.
  • “Covent Garden Account Book 1799-1800. ” British Library: Egerton MS 2298. Print.
  • “Currency, Coinage and Cost of Living.” Old Bailey Online, 30 Jan. 2014. Web. 6 Aug. 2014.
  • De Landa, Manuel. Deleuze: History and Science. New York and Dresden: Atropos Press, 2010. Print.
  • -----. “Deleuzian Ontology and Assemblage Theory.” Martin Fuglsang and Bent Meier Sorensen, eds. Deleuze and the Social. 250-66. Edinburgh: Edinburgh UP., 2006. Print.
  • -----. Philosophy and Simulation: The Emergence of Synthetic Reason. London and New York: Continuum, 2011. Print.
  • -----. A New Philosophy of Society: Assemblage Theory and Social Complexity. London and New York: Continuum, 2006. Print.
  • Dovey, Kim, and Felicity Symons. “Density without Intensity and What to do about it: Reassembling Public/ Private interfaces in Melbourne’s Southbank Hinterland.” Australian Planner 2013. Web. 7 Sep. 2014.
  • Dutton, Thomas. The Wise Man of the East; or, The Apparition of Zoroaster, The Son of Oromanes, to The Theatrical Midwife of Leicester Fields. 2nd ed. London: H. D. Symonds, 1800. Print.
  • Felsenstein, Frank, and Michael Scrivener, eds. Incle and Yarico and The Incas: Two Plays by John Thelwall. Madison, NJ: Fairleigh Dickinson UP., 2006. Print.
  • Fuglsang, Martin, and Bent Meier Sorensen, eds. Deleuze and the Social. Edinburgh: Edinburgh UP., 2006. Print.
  • Gordon, Scott Paul. “Reading patriot art: James Barry's King Lear.”Eighteenth Century Studies 36 (2003): 491-509. Print.
  • Hayward, Major Edward P. W. “Planning Beyond Tactics: Towards a Military Application of the Philosophy of Design in the Formulation of Strategy” Diss. School of Advanced Military Studies, Fort Leavenworth, 2008. Kansas: CreateSpace Independent Publishing Platform, 2012. Print.
  • Holcroft, Thomas. The Deserted Daughter; A Comedy ... Covent Garden. 1795. T.a.73., Folger Shakespeare Library, Washington D.C. Print.
  • Hopkins, William. “Diary” (1798). Folger W.a. 104 (8), Folger W.a. 104 (10), Folger Shakespeare Library, Washington D.C. Print.
  • Inchbald, Elizabeth. The Wise Man of the East, A Play, In Five Acts, Performed at The Theatre Royal, Covent-Garden, From the German of Kotzebue. 2nded. London: G. J. and J. Robinson, 1799. Print.
  • Landers, John. Death and the Metropolis: Studies in the Demographic History of London, 1670-1830. Cambridge: Cambridge UP., 1993. Print.
  • Lawrence, James Henry. Dramatic Emancipation, or Strictures on the State of the Theatres. London: Printed for Henry Colburn, 1813. Print.
  • Lester, Alan. “Personifying Colonial Governance: George Arthur and the Transition from Humanitarian to Development Discourse.” Annals of the Association of American Geographers 102 (2012): 1468-88. Print.[WoS][Crossref]
  • Massai, Sonia. “Nahum Tate’s Revision of Shakespeare’s King Lears.’SEL 40 (2000): 435-50. Print.
  • Moody, Jane P. “Suicide and translation in the dramaturgy of Elizabeth Inchbald and Anne Plumptre. ” Women in British Romantic Theatre: Drama, Performance, and Society 1790-1840. Cambridge: Cambridge UP., 2000. Print.
  • Pascoe, Judith. The Sarah Siddons Audio Files: Romanticism and the Lost Voice. Ann Arbor: U. of Michigan P., 2011. Print.
  • Roach, Joseph. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia UP., 1996. Print.
  • Robertson, Ben P. Elizabeth Inchbald’s Reputation: A Publishing and Reception History. London: Pickering & Chatto, 2013. Print.
  • Thomas, Tandy Chalmers, and Hope Jensen Schau Price. “When Differences Unite: Resource Dependence in Heterogeneous Consumption Communities.” Journal of Consumer Research 39 (2013): 1010-1033. Print.[WoS]
  • Warren, Edward. “General Average of Kean’s Performances.” 8 Jul. 1815. Folger Art Vol. b 8, Folger Shakespeare Library, Washington D.C. Print.
  • -----. “Statement of the Number of Persons [who] Paid at the Theatre this Season.” Aug. 1814. Folger Ms. W.a. 12, Folger Shakespeare Library, Washington D.C. Print.
  • Wilson, Kathleen. The Island Race: Englishness, Empire and Gender in the Eighteenth Century. London and New York: Routledge, 2003. Print.
  • -----. “Pacific Modernity: Theatre, Englishness, and the Arts of Discovery, 1760-1800.” The Age of Cultural Revolutions: Britain and France, 1750-1820. Eds. Colin Jones and Dror Wahrman. 62-93. Berkeley: U. of California P., 2002. Print.
  • -----. “Rowe's Fair Penitent as Global History: Or, a Diversionary Voyage to New South Wales.”Eighteenth-Century Studies 41 (2008): 231-251. Print.
  • “The Wise Man of the East.” The Dramatic Censor; or, Weekly Theatrical Report, 11 Jan. 1800: 53. Print.
  • Worrall, David. Harlequin Empire: Race, Ethnicity and the Drama of the Popular Enlightenment. London: Pickering & Chatto, 2007. Print.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_1515_lincu-2015-0020
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.