Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


Journal

2015 | 10 | 1 | 13-32

Article title

An Unlikely Pair: Berlinde De Bruyckere and J.M. Coetzee

Title variants

Languages of publication

EN

Abstracts

EN
Despite J.M. Coetzee’s ostensible interest in the issues of - largely speaking - visuality, the links between Coetzee’s oeuvre and ‘images’ have not been sufficiently explored either by art or literary critics. The paper offers a detailed discussion of the cooperation between Coetzee and the Belgian artist Berlinde De Bruyckere which has so far resulted in one installation and two art books co-authored by Coetzee and De Bruyckere. Special attention will be paid to the piece “Cripplewood/Kreupelhout” shown in the Belgian Pavilion of the 2013 Venice Biennial and the catalogue published in its wake. Also, a number of questions related to the nature of Coetzee’s contribution to both projects, the role of a curator and his relationship with the artist, as well as the catalogue’s generic affiliation and its position in Coetzee’s body of works are thoroughly addressed.

Publisher

Journal

Year

Volume

10

Issue

1

Pages

13-32

Physical description

Dates

published
2015-06-01
online
2015-07-11

Contributors

author
  • Jagiellonian University Instytut Filologii Angielskiej al. Mickiewicza 9A 31-120 Kraków, Poland
  • University of Wrocław Instytut Historii Sztuki ul. Szewska 36 50-139 Wrocław, Poland

References

  • Alloway, Lawrence. 2005. “The Great Curatorial Dim-Out.” Thinking about Exhibitions. Eds. Reesa Greenberg, Bruce W. Ferguson, and Sandy Nairne. London and New York: Routledge. 159-165.
  • Attwell, David, ed. 1992. Doubling the Point: Essays and Interviews. London, England and Cambridge, Massachusetts: Harvard University Press.
  • Best, Susan. 2011. Visualizing Feeling: Affect and the Feminine Avant-Garde. London and New York: I.B. Tauris.
  • Buchloh, Benjamin H.D. 2013. “The Entropic Encyclopedia.” Artforum International. September 2013: 311-317.
  • Chave, Anna. 1993. “Minimalism and the Rhetoric of Power.” Art in Modern Culture: An Anthology of Critical Texts. Eds. Francis Frascina, Jonathan Harris. London: Phaidon. 264-281.
  • Coetzee, J.M. 1987. Foe. London: Penguin Books.
  • _____. 1998. Boyhood. London: Vintage.
  • _____. 1999. The Master of Petersburg. London: Vintage.
  • _____. 2003. Youth. London: Vintage.
  • _____. 2004. Elizabeth Costello. London: Vintage.
  • _____. 2007. Diary of a Bad Year. London: Harvill Secker.
  • _____. n.d. “Business Correspondence. July-August 1995.” “J.M. Coetzee Papers” collection at the Harry Ransom Center. Container 80.1.
  • _____. n.d. “Personal and Career-Related. Zacharias Coetzee.” “J.M. Coetzee Papers” collection at the Harry Ransom Center. Container 103.
  • _____. n.d. “Personal and Career-Related. Juvenilia.” “J.M. Coetzee Papers” collection at the Harry Ransom Center. Container 104.14.
  • De Bruyckere, Berlinde, and J.M. Coetzee. 2013a. Cripplewood/Kreupelhout. New Haven and London: Mercatorfonds.
  • _____. 2013b. We Are All Flesh. Ghent: MER. Paper Kunsthalle.
  • Dostoevsky, Fyodor. 2008. The Idiot. Trans. Alan Myers. Oxford: Oxford University Press.
  • Dovey, Lindiwe, and Teresa Dovey. 2010. “Coetzee on Film.” J.M. Coetzee’s Austerities. Eds. Graham Bradshaw, and Michael Neill. Farnham: Ashgate. 57-78.
  • Elkins, James. 2003. What Happened to Art Criticism? Chicago: Prickly Paradigm Press.
  • Farago, Jason. 7 February 2013. “J.M. Coetzee, Curator?.” New Republic. 14 Nov. 2014. <http://www.newrepublic.com/article/112302/jm-coetzee-curate-venicebiennale#footnote-2>
  • Funcke, Bettina, ed. 2012. dOCUMENTA (13): The Book of Books. Catalog 1/3. Ostfi ldern: Hatje Cantz Verlag.
  • Genette, Gerard. 1982. Palimpsestes: La littérature au second degree. Paris: Editions du Seuil.
  • Greenberg, Reesa, Bruce W. Ferguson, and Sandy Nairne, eds. 2005. Thinking about Exhibitions. London and New York: Routledge.
  • Heinich, Nathalie, and Michael Pollak. 2005. “From Museum Curator to Exhibition Auteur: Inventing a Singular Position.” Eds. Reesa Greenberg, Bruce W. Ferguson, and Sandy Nairne. 166-179.
  • Hirsch, Faye. 8 July 2013. “Correspondences: An Interview with Berlinde De Bruyckere.” Art in America. 14 Nov. 2014. <http://www.artinamericamagazine.com/news-features/interviews/correspondences-an-interview-with-berlinde-de-bruyckere/>.
  • Holderlin, Friedrich. 2003. Co się ostaje, ustanawiają poeci: wiersze wybrane w przekładzie Antoniego Libery. Krakow: Wydawnictwo Znak.
  • Iversen, Margaret. 2010. “Auto-Maticity: Ruscha and Performative Photography.” Photography After Conceptual Art. Eds. Diarmuid Costello, and Margaret Iversen. Chichester: Wiley-Blackwell. 12-27.
  • Kaplan, Brett Ashley. 2011. Landscapes of Holocaust Postmemory. New York and London: Routledge.
  • Kinross, Robin. 1994. Fellow Readers: Notes on Multiplied Language. London: Hyphen Press.
  • Kossew, Sue. 2009. “Border Crossings: Self and Text.” J.M. Coetzee in Context and Theory. Eds. Elleke Boehmer, Robert Eaglestone, and Katy Iddiols. London: Continuum. 60-70.
  • Kotz, Liz. 2007. Words to Be Looked At: Language in 1960s Art. Cambridge, Massachusetts: MIT Press.
  • Kusek, Robert. 2013. “Thirty Years After… The Childhood of Jesus by J.M. Coetzee.” Werkwinkel 8(2): 9-31.
  • ____. 2014. “Janina Duszejko Meets Elizabeth Costello, or on Reading J.M. Coetzee in 21st Century Poland.” Travelling Texts: J.M. Coetzee and Other Writers. Eds. Bożena Kucała and Robert Kusek. Frankfurt am Mein: Peter Lang. 63-77.
  • Lippard, Lucy R. 1971. Changing: Essays in Art Criticism. New York: Dutton.
  • _____. 1976. From the Center: Feminist Essays on Women’s Art. New York: Dutton.
  • Proust, Marcel. 1993. In Search of Lost Time: The Captive and the Fugitive. New York: The Modern Library.
  • Self, Will. 21 November 2014. “Are the hyper-rich ruining the new Tate Modern?” The Guardian. 24 Nov. 2014. <http://www.theguardian.com/artanddesign/2014/nov/21/will-self-are-the-hyper-rich-ruining-the-new-tate-modern>.
  • Shakespeare, William. 2003. Sonety/Sonnets. Ed. Stanisław Barańczak. Krakow: Wydawnictwo a5.
  • Shohat, Elen, and Robert Stam. 2010. “Narrativizing Visual Culture: Towards a Polycentric Aesthetics.” The Visual Culture Reader. Ed. Nicholas Mirzoeff. London and New Yorrk: Routledge. 37-59.
  • Simmel, Georg. 2006. Most i drzwi: wybór esejów. Trans. Małgorzata Łukasiewicz. Warszawa: Ofi cyna Naukowa.
  • S.M.A.K. 2013. “Berlinde De Bruyckere. Kreupelhout - Cripplewood. Pavilion of Belgium. 55th International Art Exhibition la Biennale di Venezia June 1st-November 24th 2013.” 15 Nov. 2014. <http://www.belgianpavilion.be>.
  • Smith, Sidonie, and Julia Watson. 2010. Reading Autobiography: A Guide for Interpreting Life Narratives. Minneapolis and London: University of Minnesota Press.
  • Spivak Chakravorty, Gayatri. 1991. A Critique of Postcolonial Reason: Towards a History of the Vanishing Present. Cambridge, Massachusetts and London, England: Harvard University Press.
  • Stanley, Liz. 2004. “The Epistolarium: On Theorizing Letters and Correspondences.” Auto/ Biography vol. 12. 201-235.
  • Wittenberg, Herman. (forthcoming). “J.M. Coetzee’s Screenplay Adaptation of In the Heart of the Country.” English in Africa 42(1).
  • _____. 2014. J.M. Coetzee: Two Screenplays. Cape Town: University of Cape Town Press

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_1515_werk-2015-0002
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.