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Journal

2015 | 10 | 2 | 25-35

Article title

Peter Paul Rubens, Nicolas-Claude Fabri de Peiresc and Joan of Arc

Title variants

Languages of publication

EN

Abstracts

EN
In 2011 a discovery was made at the Department of Prints and Drawings of the National Museum in Warsaw - a drawing hitherto described as a Kneeling knight by an anonymous seventeenth-century artist, turned out to be Joan of Arc, a sketch well-known to art historians studying the oeuvre of Peter Paul Rubens, although thought to be lost during the Second World War. The drawing, until now known only through the black and white photograph, could be thoroughly analysed for the first time. In the context of information thus obtained, the historical context of creating the sketch transpired as an equally important matter, including the hypothetical role that may have been played in its creation by Nicolas-Claude Fabri de Peiresc.

Publisher

Journal

Year

Volume

10

Issue

2

Pages

25-35

Physical description

Dates

published
2015-11-01
online
2016-01-23

Contributors

  • The National Museum in Warsaw Gabinet Rycin i Rysunków Muzeum Narodowe w Warszawie Aleje Jerozolimskie 3 00-495 Warszawa, Poland

References

  • Borusowski, Piotr. 2014. “Zaginiony i odnaleziony: Rysunek Klęcząca Joanna d’Arc Petera Paula Rubensa w Muzeum Narodowym w Warszawie / Lost and Found. A Drawing of Joan of Arc by Peter Paul Rubens at the National Museum in Warsaw.” Rocznik Muzeum Narodowego w Warszawie. Nowa Seria / Journal of the National Museum in Warsaw. New Series 3(39): 286-332.
  • Du Lys, Charles. 1613. Recueil de plusieurs inscriptions pour les statues du roy Charles VII et de la Pucelle d’Orleans qui sont eslevees… sur le pont de la ville d’Orleans, des l’an 1458, et de diverses poesies faictes a la louange de la mesme Pucelle. Paris: Edme Martin.
  • _____. 1628. Recueil de plusieurs inscriptions proposees pour remplir les tables d’attente estans sous les statues du Roy Charles VII et de la Pucelle d’Orleans, qui sont elevees, egalement armees, et a genoux, aux deux costez d’une Croix, et de l’image de la Vierge Marie estant au pied d’icelle, sur le pont de la ville d’Orleans, des l’an 1458. Et de diverses poesies faites a la louage de la mesme Pucelle, de ses freres et de leur posterite... Paris: Edme Martin.
  • Gassendi, Pierre. [1641]. Viri illustris N.C. Fabricii de Peiresc… vita. The Hague: n.p. 298.
  • Hordal, Jean. 1612. Heroinae nobilissimae Ioannae Darc... historia. Port-a-Musson: Apud Melchiorem Bernardum.
  • Jaffé, David. 1997. “Reproducing and Reading Gems in Rubens’s Circle.” Engraved Gems: Survivals and Revivals. Studies in the History of Art 54. Ed. C.M. Brown. Washington, D.C.: National Gallery of Art. 181-193.
  • Judson, J. Richard, and Carl van de Velde. 1977. Book Illustrations and Title Pages. Corpus Rubenianum Ludwig Burchard 21. London-Philadelphia: Harvey Miller-Heyden&Son. Vol. 1. 214-215. Cat. no. 47a. Vol. 2. Figs. 159, 160.
  • Logan, Anne-Marie, and Michiel C. Plomp. 2005. Peter Paul Rubens: The Drawings. Exh. cat. The Metropolitan Museum of Art, New York. New York-New Haven: The Metropolitan Museum of Art and Yale University Press. 116-117
  • Lohse Belkin, Kristin, and Fiona Healy. 2004. A House of Art: Rubens as a Collector. Exh. cat. Rubenshuis. Cat. no. 18 Schoten: BAI. 140-142.
  • McGrath, Elizabeth. 1997. “Rubens: Subjects from History.” 2 vols. Corpus Rubenianum Ludwig Burchard 13 (I). Cat. nos. 57 and 57a. London: Harvey Miller Publishers.
  • Meulen, Marjon van der. 1997. “Nicolas Fabri de Peiresc and Antique Glyptic.” Engraved Gems: Survivals and Revivals. Studies in the History of Art. 54. Ed. C.M. Brown. . Washington, D.C.: National Gallery of Art. 195-227.
  • Müller Hofstede, Justus. 1965. “Beitrage zum zeichnerischen Werk von Rubens,” Wallraf- -Richartz-Jahrbuch 27: 304-306
  • Neverov, Oleg. 1979. “Gems in the Collection of Rubens.” The Burlington Magazine 121(916): 424-432.
  • Rooses, Max, and Charles Louis Reulens, eds. 1898. Correspondance de Rubens et documents epistolaires concernant sa vie et ses śuvres. Anvers: Veuve de Backer.
  • Valentiner, W.R. 1957. “Joan of Arc by Rubens.” The North Carolina Museum of Art Bulletin 1(3): 11-16.
  • Weller, Dennis P. 2009. Seventeenth-Century Dutch and Flemish Paintings. Coll. cat. North Carolina Museum of Art. Cat. no. 65. Raleigh: North Carolina Museum of Art. 311-315.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_1515_werk-2015-0010
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