Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2013 | 7 | 1 | 7-20

Article title

Thinking Like a Carpet: Embodied Perception and Individuation in Algorithmic Media

Authors

Title variants

Languages of publication

EN

Abstracts

EN
Keynote talk given at the “Cinema of Sensations” International Conference organized by the Sapientia Hungarian University of Transylvania, in Cluj-Napoca, Romania, between the 25th and 27th of May, 2012. (The photos of Laura Marks illustrating the article were taken by Dorel Găină, and are reproduced here with the permission of the artist.)

Publisher

Year

Volume

7

Issue

1

Pages

7-20

Physical description

Dates

published
2013-11-01
online
2014-05-30

Contributors

  • Simon Fraser University, Vancouver

References

  • Ahmad, Nazir. 1969. Ibn Al-Haitham: His Life and Work. In Ibn Al-Haitham, ed. Hakim Mohammad Said. Karachi: Hamdard National Foundation.
  • Bernstein, J.M. 2008. In Praise of Pure Violence (Matisse’s War). In The Life and Death of Images: Ethics and Aesthetics, ed. Diarmuid Costello and Dominic Willsdon, 37-55. Ithaca: Cornell University Press.
  • Deleuze, Gilles. 1986. Cinema 1: The Movement-Image. Minneapolis: Minnesota UP.
  • Deleuze, Gilles. 1993. The Fold: Leibniz and the Baroque. Minneapolis: Minnesota UP.
  • Deleuze, Gilles and Félix Guattari. 1987. A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: Minnesota University Press.
  • Del Rio, Elena. 2008. Deleuze and the Cinemas of Performance: Powers of Affection. Edinburgh University Press.
  • Goodman, Lenn Evan. 1992. Avicenna. New York: Routledge.
  • Khalidi, Tarif. 1985. Classical Arab Islam: The Heritage and Culture of the Golden Age. Princeton: Darwin.
  • Lindberg, David C. 1976. Theories of Vision from Al-Kindi to Kepler. University of Chicago.
  • Marks, Laura U. 2010. Enfoldment and Infinity: An Islamic Genealogy of New Media Art. Cambridge. MA: MIT Press.
  • Morgan, David. 1996. The Idea of Abstraction in German Theories of the Ornament from Kant to Kandinsky. Journal of the History of Ideas vol. 57 no. 2: 317-341.
  • Peirce, Charles Sanders. 1935. Man’s Glassy Essence. In Collected Papers 6, eds. Charles Hartshorne and Paul Weiss, 155-175. Cambridge, MA: Harvard University Press.
  • Perniola, Mario. 1995. Secrets, Folds, and Enigmas. In Enigmas: The Egyptian Moment in Society and Art. London: Verso.
  • Pisters, Patricia. 2009. Illusionary Perception and Cinema: Experimental Thoughts on Film Theory and Neuroscience. In Deleuze and New Technology, eds. Mark Poster and David Savat, 224-240. Edinburgh: Edinburgh University Press.
  • Rachjmann, John. 2000. Deleuze Connections. Cambridge, MA: MIT Press.
  • Sabra, A. I. 1994. Optics, Astronomy, and Logic: Studies in Arabic Science and Philosophy. Aldershot, UK: Variorum.
  • Soderman, Braxton. 2007. The Index and the Algorithm. Differences vol. 18 no. 1: 153-186.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_ausfm-2014-0011
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.