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2014 | 5 | 2 | 241-254

Article title

The Discovery of Alsatian Space in the Regionalist Art Historiography of the First Half of the 20thCentury

Title variants

Languages of publication

EN

Abstracts

EN
Our paper tries to analyse the way in which the regional identity of art historiography in Alsace came into being in the 20th century. Similarly to Transylvania, Alsace represented a highly disputed territory, being claimed by two hostile nations. We shall focus upon the regionalist point of view, which used to be overshadowed by the official nationalist discourse of the centres, Paris and Berlin. We shall examine the way in which a regional identity was invented through works of art. Regionalist art historians did no longer speak of the existence of French or German art in Alsace, but of the existence of an Alsatian art individualized within European art. We shall also emphasise the role the genius loci and regional geography played in forging this new identity.

Publisher

Year

Volume

5

Issue

2

Pages

241-254

Physical description

Dates

published
2014-07-01
online
2014-07-16

Contributors

  • Babeş–Bolyai University, Cluj-Napoca Strasbourg University

References

  • Ahnne, Paul. 1950. Le visage romantique de l’Alsace. Lithographies de 1815 à 1870. [The Romantic Face of Alsace. Lithographs from 1815 to 1870.] Strasbourg - Paris: Compagnie des Arts Photomécaniques.
  • Dollinger, Ferdinand. 1929. L’Alsace. Choix de textes précédés d’une étude. [Alsace. Selection of Texts Preceded by a Study.] Paris : Librairie Renouard, H.Laurent Éditeur.
  • Hallays, André. 1929. Sites et monuments. L’Alsace (le Haut-Rhin - le Bas-Rhin). [Sites and Monuments. Alsace (Haut-Rhin - Bas-Rhin).]. Paris: Touring-Club de France.
  • Hansi. 1929. Les clochers dans les vignes [Steeples in the Vineyards]. Paris: Librairie Floury.
  • Haug, Hans. 1966. Introduction. In Les Vosges alsaciennes. Nature, art, histoire [Alsatian Vosges. Nature, Art, History], VII-XXIII. Strasbourg: Éditions des Dernières Nouvelles de Strasbourg.
  • Heitz, Robert. 1952. L’Alsace vue par les artistes. [Alsace Seen by Artists.] Paris: Éditions des Horizons de France.
  • Laugel, Anselme. 1917. L’art populaire alsacien. [Alsatian Folk Art.] Paris - Nancy, publiées par l’Union Amicale d’Alsace-Lorraine.
  • Mâle, Émile. 1917. L’art allemand et l’art français du Moyen Age. [German and French Art in the Middle Ages.] Paris: Librairie Armand Colin.
  • Marthelot, Pierre. 1947. Géographie humaine de l’Alsace. [Human Geography of Alsace.] In Pierre Marthelot, Philippe Dollinger, Robert Heitz, Alfred Biedermann (eds.), Visages de l’Alsace [Faces of Alsace], 93-171. Paris: Éditions des Horizons de France.
  • Odilé, Claude. 1934. Alsace. Paris: Éditions Alpina.
  • Régamey, Raymond. 1925. Introduction. In L’Art en Alsace. Exposition organisée sous le patronage de la Société des Amis des Arts de Strasbourg. [Art in Alsace. Exhibition Organized under the Patronage of the Society of Arts’ Friends from Strasbourg.], 3-12. Paris: Exposition Internationale des Arts Décoratifs et Industriels Modernes [International Exhibition of Modern Decorative and Industrial Arts].
  • Trifescu,Valentin. 2009. Le campanilisme dans l’histoire de l’art. Hans Haug et sa conception de l’art alsacien. [Campanilism in Art History. Hans Haug and His View on Alsatian Art.] In Perspectives contemporaines sur le monde médiéval 1. [Contemporary Perspectives on the Medieval World 1], 413- 419. Piteşti: TipArg.
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Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_ausp-2014-0017
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