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Journal

2013 | 12 | 1 | 246-263

Article title

“UNDER THE MOON” – IMAGES AND FORMS OF ‘FEMALENESS’ IN ADRIENNE KENNEDY’S PLAYS

Authors

Title variants

Languages of publication

EN

Abstracts

EN
This paper sheds light on the challenging imagery of femaleness in Adrienne Kennedy’s plays. Reshaping dramatic forms, she deconstructs the traditional narratives of motherhood, child bearing and birth. Her plays link the images of reproduction and proliferation with that of death. Kennedy reconstructs the fragmented self through visions of the inner terrain of the psyche which is projected through the moon-like, ever changing female body.

Publisher

Journal

Year

Volume

12

Issue

1

Pages

246-263

Physical description

Dates

published
2013-12-01
online
2014-02-14

Contributors

  • University of Szeged, Hungary 6722-H Szeged Egyetem u. 2., Hungary

References

  • Barnett, Claudia. 1996.“This Fundamental Challenge to Identity: Reproduction and Representation in the Drama of Adrienne Kennedy.” in Theatre Journal 2(48): 141-165.
  • Bigsby, W. E. Christopher. 2004. Modern American Drama 1945-2000. Cambridge: Grove Press.[WoS]
  • Cohn, Ruby. 1982. New American Dramatists: 1960-1980. New York: Grove Press.
  • Du Bois, W. E. B. 1903. “Of Our Spiritual Striving” in Souls of Black Folks [Online]. Available: http://www.bartleby.com/114/1.html [Accessed 2013, June 16].
  • Gilbert, Sandra M. and Gubar, Susan. 1979. The Madwoman in the Attic. The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale University Press.
  • Kennedy, Adam P. and Kennedy, Adrienne. 1996. Sleep Deprivation Chamber. New York: Theatre Communications Group Inc.
  • Kennedy, Adrienne. 2001. “A Movie Star Has to Star in Black and White” in The Adrienne Kennedy Reader. Werner Sollors (Ed.). New York: Knopf Inc., pp. 62-78.
  • Kennedy, Adrienne. 2001. “Funnyhouse of a Negro” in The Adrienne Kennedy Reader. Werner Sollors (Ed.). New York: Knopf Inc., pp. 11-26.
  • Kennedy, Adrienne. 2001. “Lesson in Dead Language” in The Adrienne Kennedy Reader. Werner Sollors (Ed.). New York: Knopf Inc.,pp. 43-46.
  • Kennedy, Adrienne. 2001. “Motherhood” in The Adrienne Kennedy Reader. Werner Sollors (Ed.). New York: Knopf Inc., pp. 228-233.
  • Kennedy, Adrienne. 2001. “Ohio State Murders” in The Adrienne Kennedy Reader. Werner Sollors (Ed.). New York: Knopf Inc., pp. 151-173.
  • Kennedy, Adrienne. 2001. “The Owl Answers” in The Adrienne Kennedy Reader. Werner Sollors (Ed.). New York: Knopf Inc., pp. 30-43.
  • Langston, Hughes. 1927. “Mulatto” in Mixed Roots [Online]. Available: http://mixedroots.blogspot.hu/2008/08/mulatto-by-langston-hughes.html [Accessed 2013, May 10].
  • Morrison, Toni. 2004. Beloved. California: Vintage Press.
  • Morrison, Toni. 2007. The Bluest Eye. California: Vintage Press.
  • Patsalidis, Savas. 1995. “Adrienne Kennedy’s heterotopias and the (I'm)possibilities of the (Black) Female Self” in Staging Difference Cultural Pluralism in American Theatre and Drama. Maurice Maufort (Ed) New York: Peter Lang Publishing Inc., pp. 301-19.
  • Schroeder, Patricia R. 1995. “American Drama, Feminist Discourse, and Dramatic Form: A Defense of Critical Pluralism” in Drama, Feminist Discourse, and Dramatic Form: A Defense of 263 Critical Pluralism in Theatre and Feminist Aesthetics. Catherine Schuler and Karen Laughlin (Eds.). London: Associate University Press, pp. 66-79.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_genst-2013-0015
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