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2014 | 3 | 1 | 124-138

Article title

Beauty and Judgement in German Aesthetics

Authors

Title variants

Languages of publication

EN

Abstracts

EN
The birth of aesthetics in the 18th century marks the passage from beauty to fine taste and the emergence of art as a separate sphere of culture. Indeed, before the Renaissance, art is not viewed separately from handcraft and the craftsman does not receive the distinctive status of a specialist of beautiful, an artist. This is due to two sets of reasons: first, the transformation of beauty, which becomes little by little a matter of taste and is subjective, and second, the emergence in the European culture of a special status for the artist, distinguishing him from the artisan. This slow evolution announced at the beginning of the Renaissance, will be completed only at the beginning of the 19th century

Keywords

Publisher

Year

Volume

3

Issue

1

Pages

124-138

Physical description

Dates

published
2014-03-01
online
2014-02-27

Contributors

  • Royal Conservatory of Brussels, Belgium, 30, rue de la Régence, 1000, Bruxelles

References

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  • Baumgarten, Alexander, Gottlieb. Esthétique. Paris: L’Herne, 1988.
  • Descartes, René. Méditations métaphysiques. Paris: Garnier - Flammarion, 2009.
  • Hume, David. Enquête sur l’entendement humain. Paris: Vrin, 2008.
  • Leibniz, Gottfried Wilhelm. Nouveaux essais sur l’entendement humain. Paris: Garnier - Flammarion, 1966.
  • Kant, Immanuel. Critique de la raison pure. Paris: Gallimard, 1980.
  • Kant, Immanuel. Critique de la faculté de juger. Paris: Gallimard, 1989.
  • Kant, Immanuel. Opuscules sur l’histoire. Paris:Garnier - Flammarion,1990.
  • Hegel, Georg Wilhelmm Friedrich. Phénomenologie de l’esprit. Paris: Aubier, 1991.
  • Nietzsche, Friedrich. Généalogie de la morale. Paris: Gallimard, 1975.
  • Nietzsche, Friedrich. Le cas Wagner. Paris: Gallimard, 1974.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_hssr-2013-0024
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