Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2013 | 57 | 1 | 117-130

Article title

WSPÓŁCZESNA FORMA SKANDALU ARTYSTYCZNEGO CZY WARTO BYĆ ARTYSTĄ-SKANDALISTĄ? / Contemporary Art Scandals: Is Being A Scandalous Artist Worthwhile?

Title variants

Languages of publication

EN

Abstracts

EN
This article contains a sociological analysis of the social phenomenon of the art scandal in the field of visual art. The author first describes the concept of scandal used in the social sciences then defines an art scandal: its dimensions and characteristics. She shows what is necessary to produce an art scandal and why art is one of the areas where scandals most often occur. She also refers to some of the larger scandals in art history, particularly those of recent times.

Year

Volume

57

Issue

1

Pages

117-130

Physical description

Dates

published
2013-03-01
online
2013-07-31

Contributors

  • Uniwersytet im. Adama Mickiewicza w Poznaniu

References

  • Adut Ari, 2008, On Scandal: Moral Disturbances in Society, Politics and Art, Cambridge University Press, New York.
  • Akbar Arif, 2011, No More Shock Tactics: Marcus Harvey Reveals Why He’s Happy to Leave the YBAMovement Behind, „The Independent”, 15 września.
  • Balcerzan Edward, 2004, O nowatorstwie, Wydawnictwo Uniwersytetu Gdańskiego, Gdańsk.
  • Boorstin Daniel J., 1982, The Image: A Guide to Pseudo-Events in America, Atheneum, New York.
  • Bowness Alan, 1990, The Conditions of Success: How the Modern Artist Rises to Fame, Thames & Hudson, London.
  • Franck Georg, 2002, The Scientific Economy of Attention: A Novel Approach to the Collective Rationalityof Science, „Scientometrics”, t. 55, nr 1, s. 3-26.
  • Frank Robert H., Cook Philip J., 1996, The Winner-Take-All-Society: Why the Few at the Top Get SoMuch More Than the Rest of Us, Penguin, London.
  • Krajewski Marek, b.d., „Kultura dystrakcji - deficyty uwagi i strategie jej kumulacji” (http://krajewskimarek.blox.pl/resource/Ekonomia_uwagi.doc).
  • Okoń Natalia, 2005, Skandal artystyczny - forma tworczej prezentacji?, „Akademia”, nr 3.
  • Ridgeway Sally, 1989, Artist Groups: Patrons and Gate-Keepers, w: ArnoldW. Foster, Judith R. Blau (red.), Art and Society: Readings in the Sociology of the Arts, Suny Press, New York.
  • Walker John A., b.d., Carl Andre’s Pile of Bricks - Tate Gallery Acquisition Controversy - 1976 (http://www.artdesigncafe.com/carl-andre-bricks-tate-gallery-1976 [31.10.2012]).
  • Wernick Andrew, 1992, Promotional Culture: Advertising, Ideology and Symbolic Expression, Sage Publications, London.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_kultura-2013-0007
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.