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The present article focuses on the notion of intertextuality as put into practice on the Russian stage by the Podval generation (late 1980s). The author documents the aesthetic complexity of the stage imagery employed by this generation in an analysis of performances staged by the most important dramatist and theatre maker of Russian alternative theatre, Klim (born 1952 in Ukraine).
-  Barthes, R. (1987). Izbranyje raboty (Selected writings). Moscow: Izdateľstvo Progress.
-  Klim (1991a). Peterburgskij teatralnyj zhurnal [Sankt-Petersburg theatre journal], No 3.
-  Klim (1991b). Teatralnaja zhizn (Theatrical Life Magazine) No. 11.
-  Pinter, H. (1994). Complete Plays. New York: Grove Press.
Publication order reference