Subtle mise-en-scènes of the Middle Ages

• Authors: Anna Hlaváčová
• Languages of publication: EN

Abstracts

EN

In this paper the author compares the concept of a Noh play, Matsukaze, with a Slovak altar painting from Košice Cathedral. The article uses Japanese Noh, where stage continuity has been preserved up until the present day, to reconstruct European medieval stage practices reflected in 15th century painting. Referring to the platonic tradition, the second speech represents a corrective to the first, thus legitimizing a sense of passion in the process leading to catharsis, or enlightenment.

Keywords

EN

mise-en-scène; medieval; gesture; passion; enlightenment

• Publisher: Sciendo
• Journal: Human Affairs
• Year: 2013
• Volume: 23
• Issue: 1
• Pages: 40-55

Dates

published

2013-01-01

online

2012-12-29

Contributors

author

Anna Hlaváčová

• Slovak Academy of Sciences

References

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Identifiers

DOI

10.2478/s13374-013-0105-9