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Journal

2009 | 19 | 3 | 297-303

Article title

E. H. Gombrich in 1968: Methodological Individualism and the Contradictions of Conservatism

Title variants

Languages of publication

EN

Abstracts

EN
The commonalities Gombrich affirmed between his own positions on science, politics, and art and those of his friend Karl Popper are key to understanding both his work on the history of style and the conservative fulminations on method he published from the early 1950s onwards. United with Popper by their shared experience of exile from fascism, Gombrich failed to register the amateurish character of Popper's political theory and that his aversion to notions of social determination disabled the historian. Popper's skepticism regarding the ontological status of social collectivities and rejection of the concept of totality reinforced Gombrich's suspicions of holistic analysis and led him to fall back on naturalistic descriptions of individuals acting in a social world glued together by such commonsensical categories as "traditions" and "institutions". In this regard he is representative of the common aversion to sociology of the British intellectual establishment in the early Cold War.

Publisher

Journal

Year

Volume

19

Issue

3

Pages

297-303

Physical description

Dates

published
2009-09-01
online
2009-09-24

Contributors

  • Department of History of Art, University College London, Gower Street, London, WC1E 6BT, UK

References

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  • Anderson, P. Components of the National Culture. In P. Anderson. English Questions. London and New York: Verso, 1992.
  • Elliott, G. Perry Anderson: The Merciless Laboratory of History. Minneapolis and London: University of Minnesota Press, 1998.
  • Gombrich, E. H. Meditations on a Hobby Horse and Other Essays on the Theory of Art. London: Phaidon Press, 1963.
  • Gombrich, E. H. Style. In D. L. Sills (Ed.). International Encyclopedia of the Social Sciences. New York: Macmillan Co., 352-61, 1968.
  • Gombrich, E. H. Art and Illusion: A Study in the Psychology of Pictorial Representation. 4th edition. London: Phaidon Press, 1972.
  • Gombrich, E. H. Ideals and Idols: Essays on Values in History and in Art. Oxford: Phaidon, 1979.
  • Gombrich, E. H. The Image and the Eye. Oxford: Phaidon, 1982.
  • Gombrich, E. H. Tributes: Interpreters of Our Cultural Tradition. Oxford: Phaidon, 1984.
  • Gombrich, E. H. Topics of Our Time: Twentieth-Century Issues in Learning and in Art. London: Phaidon, 1991.
  • Hacohen, M. H. Karl Popper: The Formative Years, 1902-1945. Cambridge: Cambridge University Press, 2000.
  • Hayek, F. A. The Sensory Order: An Inquiry into the Foundations of Theoretical Psychology. London: Routledge and Kegan Paul, 1952.
  • Marcuse, H. Studies in Critical Philosophy. Trans. J. de Bres. London: New Left Books, 1972.
  • Popper, K. R. The Open Society and Its Enemies. 5th edition, 2 vols. Princeton, NJ: Princeton University Press, 1966.
  • Popper, K. R. The Poverty of Historicism. 2nd edition. London and Henley: Routledge & Kegan Paul, 1976.
  • Popper, K. R. Conjectures and Refutations: The Growth of Scientific Knowledge. 4th edition. London & Henley: Routledge and Kegan Paul, 1978.
  • Popper, K. R. Unended Quest: An Intellectual Autobiography. La Salle, Ill. & London: Open Court, 1982.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_v10023-009-0043-7
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