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Journal

2011 | 44 | 3 | 67-75

Article title

Educational Possibilities of the Project Colour Visualization of Music

Title variants

Languages of publication

EN

Abstracts

EN
We propose a system of colour visualization of music based on a system of colour signs, which are connected to musical tones. Tones, which are in harmonic relationships, are represented by related colours. First, we outline the foundations on which the system of colour signs is based - the mathematical model of harmony. We discuss several possibilities of visual representation of expressive elements of music - melody, composition, rhythm and harmony. These relationships enabled us to develop a computer program that employs these elements for visualization. The program mimics human perception in which the parts are determined by the perception of the whole. Furthermore, the program enables the development of tools that can enhance music understanding during listening or performing. Music performance can acquire a new quality with the use of interactive coloured musical instruments, which by using colours show the performer different possibilities for forming musical harmonies and thereby change the composing of music into a game and attractive colour-aural journey. Here we stumble upon a challenge for educational science and methodology: how to use such upcoming multimedia tools. These tools would bring the processes of learning and playing a game closer together since playing games is a child's most natural form of functioning. Furthermore, in the area of artistic creation we can once again establish a balance between our logical and intuitive nature.

Keywords

Publisher

Journal

Year

Volume

44

Issue

3

Pages

67-75

Physical description

Dates

published
2011-05-01
online
2011-07-01

Contributors

author
  • Computer Vision Laboratory, Faculty of Computer and Information Science, University of Ljubljana, Tržaška cesta 25, 1000 Ljubljana, Slovenia
author
  • Academy of Fine Arts, University of Ljubljana, Erjavčeva cesta 23, 1000 Ljubljana, Slovenia
author
  • Computer Vision Laboratory, Faculty of Computer and Information Science, University of Ljubljana, Tržaška cesta 25, 1000 Ljubljana, Slovenia

References

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  • Benson, D. (20006). Music: A mathematical offering. Cambridge University Press.
  • Bergstrom, T., Karahalios, K. & Hart, J. C. (20007). Isochords: Visualizing structure in music, GI'07: Proceedings of Graphics Interface 2007, Montreal, Canada, May 2007, 297-304. DOI: 10.1145/1268517.1268565[Crossref]
  • Chew, E. (20000). Towards a Mathematical Model of Tonality. PhD thesis, Massachusetts Institute of Technology, Cambridge, MA.
  • Ciuha, P. (20001). peter ciuha. the womb. statement, in 24th International Biennial of Graphic Arts. International Centre of Graphic Arts, Ljubljana, Slovenia, 2001, 99-102.
  • Ciuha, P., Klemenc, B. & Solina, F. (20010). Visualization of concurrent tones in music with colours, Proceedings of ACM Multimedia 2010, Firenze, Italy, 25-29 October 2010, 1677-1680. DOI: 10.1145/1873951.1874320[Crossref]
  • Collopy, F. (20009). Playing (with) colour. Glimpse, 2(3): 62-67.
  • Gatzsche, G., Mehnert, M., Gatzsche, D. & Brandenburg, K. (20007). A symmetry based approach for musical tonality analysis, 8th International Conference on Music Information Retrieval, ISMIR2007, Vienna, 2007, 207-210.
  • Huron, D. (20008). Asynchronous preparation of tonally fused intervals in polyphonic music. Empirical Musicology Review, 3(1): 11-21.
  • Meyer, L. B. (1956). Emotion and Meaning in Music. University of Chicago Press.
  • Parncutt, R. (1989). Harmony: A Psychoacoustical Approach, chapter 2. Springer-Verlag.
  • Tramo, M. J., Cariani, P. A. & Delgutte, B. (20001). Temporal coding of tonal harmony in the auditory nerve. Technical report, Harvard Medical School.
  • Wells, A. (1980). Music and visual color: A proposed correlation. Leonardo, 13: 101-107.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_v10051-011-0006-9
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