Title variants
Languages of publication
Abstracts
The following study presents some considerations on different subjects regarding the field of art, from the art of using sounds in theatre and the importance of the Greek tragedy to the subtle differences between opera and theatre. The sound experiment is to be approached knowing that the audience is, in some way, deaf. The renewal of the sounds, even of those coming forth from the remote ages, is part of the author’s lust for a theater that celebrates real contact and real feeling, with a unique expression of force, of intense colors and sharp energies. The main goal is to discover the actor’s or the opera singer’s work with the sounds, with the vibration of the words in his body, thus investigating the “meanings” of the pure sound.
Publisher
Journal
Year
Volume
Issue
Pages
11-21
Physical description
Dates
published
2013-01-01
online
2013-01-30
Contributors
author
- Columbia University School of the Arts Oscar Hammerstein II Center for Theatre Studies 601C Dodge Hall 212.854.3408, as160@columbia.edu
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.doi-10_2478_v10317-012-0011-4
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