Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


Journal

2012 | 11 | Supplement | 12-25

Article title

To See and Hear Like Ophelia, or How Not to Take Leave of One’s Senses: Representations of the Madwoman in Youtube Culture

Title variants

Languages of publication

EN

Abstracts

EN
Ophelia, fated to insanity, has attracted incomparably more interest than any other Shakespearean heroine. As an archetype of a madwoman Ophelia has been in the limelight for a wide range of supporters and adversaries: literary critics, theatre and film directors, actors and actresses, psychiatrists, philosophers, writers, poets, painters, photographers, feminist and gender revolutionists, and ordinary people, especially women who want to act the story of her losing her senses. The last-mentioned category appear to be fulfilling their dreams of becoming madwomen by posing as lunatic Ophelia and being filmed. The destiny of these amateur films is to be posted on YouTube.

Publisher

Journal

Year

Volume

11

Issue

Pages

12-25

Physical description

Dates

published
2012-12-01
online
2012-12-28

Contributors

  • University of Łódź, Narutowicza 59 a, Łódź, Poland

References

  • Allan, Lauren. Hamlet−Act V Scene IV ‘Ophelia’s Song’. 8 December 2011. Web. 15 June 2012 <http://www.youtube.com/watch?v=gkYDFcaUBtc>.
  • Autumn, Emilie. “Mad Girl.” Girls Just Wanna Have Fun & Bohemian Rhapsody, 2008. Posted by Kris Van de Sande, 26 January 2010. Web. 20 June 2012 <http://www.youtube.com/watch?v=Qg6n6bsLhnM>.
  • Camden, Carroll. “On Ophelia’s Madness.” Shakespeare Quarterly 15.2 (1964): 247-255.
  • Desmet, Christy. “Character.” The Oxford Handbook of Shakespeare. Ed. Arthur F. Kinney. Oxford: Oxford University Press, 2012.[WoS]
  • Dukeenglishvideos. Ophelia’s crazy song, 11 May 2011. Web. 18 August 2012 <http://www.youtube.com/watch?feature=endscreen&v=8vQJ8w4-kpQ&NR=1>.
  • Mashele. Ophelia/Complete psychological degeneration, 30 October 2011. Web. 18 August 2012 <http://www.youtube.com/watch?v=h4MWzkDYsUY>.
  • Osborne, Laurie. “iShakespeare: Digital Art/Games, Intermediality, and the Future of Shakespearean Film.” Shakespeare Studies. Ed. Susan Zimmerman, Madison: Fairleigh Dickinson University Press, Vol. 38 (2010): 48-57.
  • Peiris, T. R. “Ophelia: A Theory.” Hecate: A Women’s Interdisciplinary Journal 22.2 (1996): 140-143.
  • Potter, Lois. The Life of William Shakespeare: A Critical Biography. Oxford: Wiley- Blackwell, 2012.[WoS]
  • Rasputina, “Dig Ophelia.” Thanks for the Ether, 1996. 28 August 2012 <http://www.elyrics.net/read/r/rasputina-lyrics/dig-ophelia-lyrics.html>.
  • Shakespeare, William. Hamlet. The Arden Shakespeare, Third Series. Eds. A. Thompson, N. Taylor. London: Thomson Learning, 2007.
  • Showalter, Elaine. “Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism.” Shakespeare and the Question of Theory. Eds. P. Parker, G. Hartman, New York: Methuen, 1985.
  • Strangelove, Michael. Watching YouTube: Extraordinary Videos by Ordinary People. Toronto: University of Toronto Press, 2010.[WoS]
  • ---

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_v10320-012-0002-0
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.