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Journal

2012 | 11 | 1 | 23-37

Article title

Maritime Fantasies and Gender Space in Three Shakespearean Comedies

Authors

Title variants

Languages of publication

EN

Abstracts

EN
Laden with sea images, Shakespeare‘s plays dramatise the maritime fantasies of his time. This paper discusses the representation of maritime elements in Twelfth Night, The Tempest and The Merchant of Venice by relating them to gender and space issues. It focuses on Shakespeare‘s creation of maritime space as space of liberty for his female characters.

Publisher

Journal

Year

Volume

11

Issue

1

Pages

23-37

Physical description

Dates

published
2012-12-01
online
2013-02-08

Contributors

  • Chang Gung University, Taiwan Wen-Hwa 1st Road, Kwei-Shan Tao-Yuan,Taiwan

References

  • Auden, W. H. 2003. The Sea and the Mirror: A Commentary on Shakespeare’s TheTempest.‖ Ed. Arthur Kirsch. Princeton: Princeton University Press.
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  • Camden, W. 1970. The History of the Most Renowned and Victorious Princess ElizabethLate Queen of England: Selected Chapters. Ed. W. T. MacCaffrey. Chicago: University of Chicago Press.
  • Chambers, A., D. H. Murray, and J. Wheelwright. 1995. Bold in Her Breeches: WomenPirates Across the Ages. Ed. J. Stanley. San Fransisco: Harper Collins.
  • Greenblatt, S. 2004. Will in the World: How Shakespeare Became Shakespeare. New York: W. W. Norton.
  • Gurr, A. 1987. Playgoing in Shakespeare’s London. 3rd ed. Cambridge: Cambridge University Press.
  • Hansen, C. 1993. Woman as Individual in English Renaissance Drama: A Defiance ofthe Masculine Code. New York: Peter Lang.
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  • Konstam, A. 2008. Piracy: The Complete History. Oxford: Osprey.
  • Land, I. 2009. War, Nationalism and the British Sailor, 1750-1850. New York: Palgrave Macmillan.
  • Lincoln, M. 2007. Naval Wives and Mistresses. London: National Maritime Museum.
  • Mentz, S. 2009. At the Bottom of Shakespeare’s Ocean. London: Continuum.
  • Mullaney, S. 1988. The Place of the Stage: License, Play, and Power in RenaissanceEngland. Chicago: University of Chicago Press.
  • Pecham, H. 1642. The Art of Living in London, or, A Caution How Gentlemen,Countreymen and Strangers Drawn by Occasion of Businesse Should Dispose ofThemselves in the Thriftiest Way, not Onely in the Citie, but in All OtherPopulous Places. As also, a Direction to the Poorer Sort that Come Thither toSeeke Their Fortunes. London: Printed for John Gyles, and are to be sold by Samuel Rand, at his shop at Barnards Inne in Holborne.
  • Pritchard, R. E. 2010. Shakespeare’s England: Life in Elizabethan and Jacobean Times. Thrupp, Stroud: Sutton.
  • Rediker, M. 1987. Between the Devil and the Deep Blue Sea: Merchant Seamen,Pirates, and the Anglo-American Maritime World, 1700-1750. Cambridge: Cambridge University Press.
  • Shakespeare, W. 1964. The Merchant of Venice. Ed. J. Russel Brown. The Arden Shakespeare ed. London: Methuen.
  • ---. 1964. The Tempest. Ed. F. Kermode. The Arden Shakespeare ed. London: Methuen.
  • ---. 1975. Twelfth Night. Ed. J. M. Lothian and T. W. Craik. The Arden Shakespeare ed. London: Methuen.
  • Spencer, C. 1988. The Genesis of Shakespeare’s Merchant of Venice. Lewiston, New York: Edwin Mellen.
  • Woodward, H. 2009. A Brave Vessel: The True Tale of the Castaways Who Rescued Jamestown. London: Penguin.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_v10320-012-0026-5
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