Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


Journal

2012 | 11 | 1 | 193-204

Article title

Lilies on the Land – The Forgotten Women’s Land Army of World War II – A Documentary Play

Authors

Title variants

Languages of publication

EN

Abstracts

EN
This paper centres on a play directed by Sonia Ritter and produced by the Lions part that portrays an extraordinary event in Britain’s recent history - the Women’s Land Army of World War II. It is based on real evidence given in hundreds of letters and interviews with former Land Girls. The anecdotes of their shared experience and strenuous work are presented by a female quartet - Margie, Peggy, Poppy and Vera - in a sparkling, captivating and emotional way.

Publisher

Journal

Year

Volume

11

Issue

1

Pages

193-204

Physical description

Dates

published
2012-12-01
online
2013-02-08

Contributors

  • University of Malaga, 29071 Málaga, Spain

References

  • Bruzzi, S. 2006. New Documentary: A Critical Introduction. 2nd ed. London and New York: Routledge.
  • Butler Smith, E. 2010. Lilies on the Land. Theatre Programme Arts Theatre, London.
  • Evans, L. 2010. “Spectator” in Theatre Record, Vol XXX (12).
  • Favorini, A. 1995. Voicings: Ten Plays from the Documentary Theatre. Hopewell, NJ: Ecco Press.
  • Filewod, A. 2009. “The Documentary Body: Theatre Workshop to Banner Theatre” in Forsyth, A. and C. Megson (eds.). Get Real: Documentary Theatre Past and Present. Houndmills, Basingstoke: Palgrave Macmillan.
  • Finch, S., D. Lawrence, K. Peacock, S. Ritter, N. Tamar and the Lions part. 2010. Lilies on the Land. London: Nick Hern Books.
  • Forsyth, A. and C. Megson (eds.). 2009. Get Real. Documentary Theatre Past and Present. Houndmills, Basingstoke: Palgrave Macmillan.
  • Lane, D. 2010. Contemporary British Drama. Edinburgh: Edinburgh University Press.
  • Marlowe, S. 14/06/10. “The Times” in Theatre Record, Vol. XXX ( 12).
  • Martin, C. 2006. “Bodies of Evidence” in The Drama Review, Vol 50 (3) (T191, Fall), pp.8-15.
  • Mason, G. 1977. “Documentary Drama from the Revue to the Tribunal” in Modern Drama, 20 (Sept.), pp.263-277.
  • Megson, C. 2009. “Half the Picture: ‘A Certain Frisson’ at the Tricycle Theatre” in Get Real: DocumentaryTheatre Past and Presemt. Houndmills, Basingstoke: Palgrave Macmillan.
  • Reinelt, J. 2009. “The Promise of Documentary” in Forsyth, A. and C. Megson (eds.). 2009. Get Real. Documentary Theatre Past and Present. Houndmills, Basingstoke: Palgrave Macmillan.
  • Ritter, S. 2010. Lilies on the Land. Theatre Programme Arts Theatre, London.
  • Sackville West, V. 2004 (1926). The Land. London: First Frances Lincoln Edition.
  • Shore, R. 08/07/10. “Time Out London” in Theatre Record, Vol. XXX (12).
  • Sierz, A. 2011. Rewriting the Nation. British Theatre Today. London: Methuen.
  • Spencer, C. 17/06/10. “Daily Telegraph” in Theatre Record, Vol. XXX (12).
  • Weiss, P. 1971. “The Material and the Models: Notes Towards a Definition of Documentary Theatre”, trans. Heinz Bernard, Theatre Quarterly, 1,1 (January-March).

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_v10320-012-0039-0
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.