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Journal

2012 | 11 | 1 | 323-336

Article title

Lady Audley’s Sphinxian Mystery?

Title variants

Languages of publication

EN

Abstracts

EN
The present study is based on the analysis of the themes of madness and monstrosity, depicted through the female character, in Mary Elizabeth Braddon’s well-known Lady Audley’s Secret. It discusses the elusive nature of madness and monstrosity that may be perceived as attributes of reader, writer and characters alike; it also considers the possibility of ‘madness’ as subversive survival strategy and/or escape from narrow patriarchal, political, social and cultural confines

Keywords

Publisher

Journal

Year

Volume

11

Issue

1

Pages

323-336

Physical description

Dates

published
2012-12-01
online
2013-02-08

Contributors

  • Yeditepe University, 26 Agustos Yerlesimi, Kayisdagi Cad. 34755, Atasehir/ Istanbul, Turkey

References

  • Beal, T. K. 2002. Religion and Its Monsters. New York: Routledge.
  • Beveridge, A. and F. E. Renvoize. 1988. ‘The Presentation of Madness in the Victorian Novel’ in Psychiatric Bulletin [Online]. Available: http://pb.rpsych.org/content/12/10/411.full.pdf. [2011, April 25].
  • Braddon, M.E. 1997. Lady Audley’s Secret. Hertfordshire: Wordsworth Editions Limited.
  • Brewster, S. 2000 (2001). ‘Seeing Things: Gothic and the Madness of Interpretation’ in D. Punter (ed.). A Companion to the Gothic. Malden, MA: Blackwell Publishing Ltd.
  • Brooks, P. 1987. ‘The Idea of a Psychoanalytic Literary Criticism’ in S. Rimmon-Kenan (ed.). Discourse in Psychoanalysis and Literature. London and New York: Routledge
  • Foucault, M. 1967. Madness and Civilization: A History of Insanity in the Age ofClassical Reason. Trans. R. Howard. London: Tavistock
  • Henderson, I. 2006. ‘Looking at Lady Audley: Symbolism, the Stage, and the Antipodes’ in Nineteenth Century Theatre and Film 33/1:4, article in print journal
  • Kungl, C. 2010. ‘“The Secret of My Mother’s Madness”: Mary Elizabeth Braddon and Gothic Instability’ in R. Bienstock Anolik (ed.). Demons of the Body andMind, Essays on Disability in Gothic Literature. North Carolina: McFarland & Company, Inc., Publishers.
  • Matus, J.1993. ‘Disclosure as ‘Cover Up’: The Discourse of Madness in Lady Audley’sSecret’ in University of Toronto Quarterly 62.3.
  • Porter, R. 2002. Madness - A Brief History. Oxford: Oxford University Press.
  • Punter, D. 1989. ‘Narrative and Psychology in Gothic Fiction’ in K. W. Graham (ed.). Gothic Fictions: Prohibition/Transgression. New York: AMS Press.
  • Schroeder, N. 1988. ‘Feminine Sensationalism, Eroticism and Self-Assertion: M.E. Braddon and Ouida’ in Tulsa Studies in Women’s Literature. Vol. 7, No. 1, [Online]. Available: http://links.jstor.org./sici?sici=0732_7730%28198821%297%3A1%3C87%AFSEASM%3E2.0CO%3132-8 [2011, April 27]
  • Shakespeare, W. 2006 (1956). Hamlet in S. Lawall (ed.). The Norton Anthology. Western Literature. London: W.W. Norton & Company Ltd.
  • Voskuil, L. (2001). ‘Acts of Madness: Lady Audley and the Meanings of Victorian Femininity’ in Feminist Studies 27.3.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_v10320-012-0049-y
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