REFLECTION ON THE THEORY OF OPERA AND THE COLLECTED ARTWORK BY THE REPRESENTATIVES OF FORM AESTHETICS OF THE 19TH CENTURY (Reflexia teorie opery a suborneho umeleckeho diela u predstavitelov formovej estetiky 19. storocia)

• Authors: Blahynka Miloslav
• Languages of publication: SK

Abstracts

EN

The study analyzes the view on the opera, musical drama and problem of art fusion issues given by the aestheticians Eduard Hanslick, Otakar Hostinsky and Josef Durdik. The view on Richard Wagner's incentives on the theory of opera, musical drama and collected artwork shows that it is not always the material of art works which is crucial, but also the way they are composed and presented. This position on the aesthetics and art theory was attained by structuralism and based, among other things, on the criticism of the form aesthetics.

Keywords

EN

AESTHETCS; COLLECTED ARTWORK; DURDIK JOSEF; HANSLICK EDUARD; HOSTINSKY OTAKAR; MUSICAL DRAMA; OPERA; SLOVAK CULTURE; THEORY OF OPERA

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2009
• Volume: 57
• Issue: 4
• Pages: 300-305
• Document type: ARTICLE

Contributors

author

Blahynka Miloslav

• Miloslav Blahynka, Kabinet divadla a filmu SAV, Dubravska cesta 9, 841 04 Bratislava, Slovak Republic; www.kadf.sav.sk/?site=sd

Identifiers

CEJSH db identifier

10SKAAAA08304