PL EN


2005 | 2 | 5-24
Article title

IDEOLOGIES OF PROGRESS AND NATIONALISM AND THE CONCEPTS OF SUPRANATIONAL AND NATIONAL MUSIC

Title variants
Languages of publication
EN
Abstracts
EN
The decline and fall of the idea of progress intensified interest in the problems of nationalism. Stravinsky in his 'Poetics of Music' identified universality with a harmony of diversity governed by the idea of beauty, goodness and truth, while cosmopolitanism was associated for him with a lack of sense of community and the rejection of cultural tradition, with the anarchy brought about by the 'monster of originality', the so-called progressive art, which made a radical break with the traditional system of values. In fact, not only avant-garde music achieved the status of supranational, cosmopolitan art, but also neoclassicism of the inter-war period was associated with the concept of supranational music. On the other hand, both currents were also marked by nationalistic thinking. The authoress presents various interpretations of 20th-century uses of the term to define the concept of 'national music'.
Contributors
  • Alicja Jarzebska, Uniwersytet Jagiellonski, Instytut Muzykologii, ul. Westerplatte 10, 31-033 Krak√≥w, Poland
References
Document Type
Publication order reference
Identifiers
CEJSH db identifier
09PLAAAA067218
YADDA identifier
bwmeta1.element.e261f99d-34a4-3fac-8432-0ae56565ba4a
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