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2013 | 61 | 5 | 705-724
Article title

Patří Miroslav Tyrš k herbartovské estetické škole?

Content
Title variants
EN
Does Miroslav Tyrš belong to the Herbartian aesthetic school?
Languages of publication
CS
Abstracts
It is known that Miroslav Tyrš engaged intensively with philosophy, aesthetics and the history of creative art, even if his participation in the emergence of the sport and gymnastics organisation Sokol is more striking. In view of the fact that Tyrš’s work is an interesting symbiosis or eclecticism from several philosophical and aesthetic streams rather than a tight synthesis, I have attempted to point to one overlooked aspect of Tyrš’s work by stressing his affinity to the Czech aesthetic Herbartian tradition. Tyrš was a direct pupil of the eminent systematic Herbartian aesthetician Robert Zimmermann, and we can trace the influence of Zimmermann’s thought in Tyrš’s work, above all in the articles “Gymnastics from the Aesthetic Point of View” and “On the Laws of Composition in Creative Art”. Tyrš attempted to formulate the principles which every aesthetic creative aim should conform to, and he endeavoured to specificy the formal laws of compositional-construction in creative work, founded on empirical research. I treat it as demonstrable that this endeavour puts Tyrš in the tradition of concrete formalism, which is most prominently represented in Czech culture by Otakar Hostinský.
Year
Volume
61
Issue
5
Pages
705-724
Physical description
Document type
ARTICLE
Contributors
  • Filosofický časopis, redakce, Filosofický ústav AV ČR, v.v.i., Jilská 1, 110 00 Praha 1, Czech Republic
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.f228bfff-1560-4acb-b210-68cc7a6e95e8
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