Implikacja muzyki i tekstu w Offertoria et communions totius anni Mikolaja Zielenskiego

• Authors: Dudek Marek

Title variants

EN

THE IMPLICATION OF MUSIC AND TEXT IN THE OFFERTORIA ET COMMUNIONES TOTUS ANNI BY MIKOLAJ ZIELENSKI

• Languages of publication: PL

Abstracts

EN

The author of the paper is trying to capture the dependencies between the word and the music in the work Offertoria et communiones by Mikolaj Zielenski. The theory of musical affects and rhetorical figures (wildly known in the 16th century) laid at the basis of Zielenski's compositions. There were also many other factors which played a significant role in the composer's work. Among them was undoubtedly a secret of the composer's sensibility.

Keywords

EN

HISTORY OF MUSIC (POLAND); MIKOLAJ ZIELENSKI

• Publisher: Faculty of Theology at the John Paul II Catholic University of Lublin / Institute of Musicology
• Journal: Additamenta Musicologica Lublinensia
• Year: 2011
• Volume: 7
• Pages: 45-69
• Document type: ARTICLE

Contributors

author

Dudek Marek

• Marek Dudek, ul. Startowa 16/161, 20-352 Lublin, Poland

Identifiers

CEJSH db identifier

11PLAAAA105312