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2015 | 5 | 231-244

Article title

Framing Madame B: Quotation and Indistinction in Mieke Bal and Michelle Williams Gamaker’s Video Installation

Content

Title variants

Languages of publication

EN

Abstracts

EN
The article engages with the video installation Madame B by Mieke Bal and Michelle Williams Gamaker. The work was premiered in the city of Łódź in Poland (between 6 Dec. 2013 and 9 Feb. 2014). The author makes use of the exhibition brochure by two artists published by the Museum of Modern Art, and the recording of a seminar held by Bal and Williams Gamaker after launching their work. The article focuses on the innovative audiovisual interpretation of Flaubert’s famous novel. Basing the argument on the concept of framing created by Bal, the author applies it to Bal and Williams Gamaker’s exhibition by relating it to the history and culture of the Polish location where it was first shown. Above all, however, the article discusses the importance of quotation and indistinction in Madame B, where the artists quote from (among others): Louise Bourgeois, Maya Deren, Artemisia Gentileschi, Charlotte Perkins Gilman, William Kentridge and Sol LeWitt.

Keywords

Year

Volume

5

Pages

231-244

Physical description

Dates

published
2015-11-01
online
2015-11-17

Contributors

  • University of Łódź

References

  • Anderson, Pamela Sue. A Feminist Philosophy of Religion. Oxford: Blackwell, 1998. Print.
  • Bal, Mieke. Death and Dissymmetry: The Politics of Coherence in the Book of Judges. Chicago: U of Chicago P, 1988. Print.
  • ---. Double Exposures: The Practice of Cultural Analysis. London: Routledge, 1996. Print.
  • ---. Louise Bourgeois’ Spider: The Architecture of Art-Writing. Chicago: U of Chicago P, 2001. Print.
  • ---. Loving Yusuf: Conceptual Travels from Present to Past. Chicago: U of Chicago P, 2008. Print.
  • ---. Murder and Difference: Gender, Genre and Scholarship on Sisera’s Death. Bloomington: U of Indiana P, 1988. Print.
  • ---. Travelling Concepts in the Humanities: A Rough Guide. Toronto: U of Toronto P, 2002. Print.
  • ---, and Michelle Williams Gamaker. From Novel to Exhibition: Translation and Performance. Seminar recording courtesy of Muzeum Sztuki. Łódź 2013.
  • ---, and Michelle Williams Gamaker. Madame B. Video Exhibition. Łódź: Muzeum Sztuki, 2013.
  • ---, and Michelle Williams Gamaker. Madame B: Explorations in Emotional Capitalism 6.12.2013-9.02.2014. Exhibition Brochure, Łódź: Muzeum Sztuki, 2013. Print.
  • Barba, Eugenio. “Theatre Laboratory 13 Rzędów.” Tulane Drama Review 9.3 (1965): 153-65. Print.
  • Beizer, Janet. Ventriloquized Bodies: Narratives of Hysteria in Nineteenth- Century France. New York: Cornell UP, 1994. Print.
  • Booker Keith, M. Colonial Power, Colonial Texts: India in the Modern British Novel. Ann Arbor: U of Michigan P, 1997. Print.
  • Culler, Jonathan. “The Elusive Narrator.” Narrative Theory: Special Topics. Ed. Mieke Bal. New York: Taylor and Francis, 2004. 235-47. Print.
  • Deren, Maya. At Land. 1944. Online video clip. YouTube.com. Web. 10 April 2014.
  • Donaldson-Evans, Mary. Madame Bovary at the Movies: Adaptation, Ideology, Context. Amsterdam: Rodopi, 2009. Print.
  • Krzyżanowski, Julian. Dzieje literatury polskiej. Warszawa: Państwowe Wydawnictwo Naukowe, 1970. Print.
  • LaCapra, Dominic. History in Transit: Experience, Identity, Critical Theory. New York: Cornell UP, 2004. Print.
  • Leckie, Barbara. Culture and Adultery: The Novel, the Newspaper, and the Law, 1857-1914. Philadelphia: U of Pennsylvania P, 1999. Print.
  • Prus, Bolesław. Lalka. Warszawa: Państwowy Instytut Wydawniczy, 1969. Print.
  • Van Herk, Aritha. Places Far From Ellesmere. Red Deer: Red Deer College P, 1990. Print.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.hdl_11089_15034
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