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2012 | 2 | 180-191

Article title

“Throw[ing] the Longest Shadows”: The Significance of the Bogus Quotation for Arcadia by Jim Crace

Content

Title variants

Languages of publication

EN

Abstracts

EN
Preceding his Arcadia with a non-existing quotation, Jim Crace proves to be no Arcadian innocent: challenging the shrewdness of his readers, the contemporary novelist seems to take pleasure in inviting them to an intellectual game which begins before the novel unfolds. The highly evocative title and the bogus quotation are bound to evoke associations which become the subject of minute examination in the novel. Its result turns out to be as astounding as the uncommon aphoristic trap laid for the readers. This article examines the significance of the bogus quotation as a part of the novel’s message and a key to its interpretation.

Keywords

Year

Volume

2

Pages

180-191

Physical description

Dates

published
2012-12-01
online
2012-12-04

Contributors

  • Nicolaus Copernicus University, Toruń

References

  • Alpers, Paul. What is Pastoral? Chicago: Chicago UP, 1996. Print.
  • Baudrillard, Jean. Simulacra and Simulation. Trans. Sheila Faria Glaser. Ann Arbor: Michigan UP, 2010. Print.
  • Crace, Jim. Arcadia. London: Picador, 1993. Print.
  • ---. “In Conversation with Jim Crace.” YouTube. Tehelka TV, 18 Feb 2011. Web. 27 Jan. 2012. ---. “A New Kind of Ghost Writer.” Guardian. Guardian, 28 Oct. 2006. Web. 3 Nov. 2011. Empson, William. Some Versions of Pastoral. New York: New Directions, 1974. Print.
  • Farren, Michael. “Jim Crace. Invention, Commitment and Narratives of Comfort.” 2001. Jim-Crace.com. Andrew Hewitt, March 2011. Web. 3 Oct. 2011. Gifford, Terry. Pastoral. London: Routledge, 1999. Print.
  • Hansen-Pauly, Marie-Anne. “Revisiting Arcadia. Echoes of a Mythical Place in Works by Jean Giono, Jim Crace, and Ben Okri and Mikis Theodorakis.” Das Paradigma der Landschaft in Moderne und Postmoderne: (Post-)Modernist Terrains: Landscapes-Settings-Spaces. Ed. Manfred Schmeling and Monika Schmitz-Emans. Wuerzburg: Koenighausen, 2007. 195-212. Print.
  • Huxley, Aldous. Brave New World. New York: Harper Perennial Library, 1989. Print.
  • James, David, and Phillip Tew, eds. New Versions of Pastoral. Post- Romantic, Modern and Contemporary Responses to the Tradition. Madison: Fairleigh Dickinson UP, 2009. Print.
  • James, David, and Phillip Tew, eds. “Introduction: Reenvisioning Pastoral.” New Versions of Pastoral. Post-Romantic, Modern and Contemporary Responses to the Tradition. Madison: Fairleigh Dickinson UP, 2009. 13-28. Print.
  • Snyder, Susan. Pastoral Process. Spenser, Marvell, Milton. Stanford: Stanford UP, 1998. Print.
  • Tew, Philip. “Jim Crace’s Enigmatical Pastoral.” Ed. David James and Philip Tew. New Versions of Pastoral. Post-Romantic, Modern and Contemporary Responses to the Tradition. Madison: Fairleigh Dickinson UP, 2009. 230-44. Print.
  • Wordsworth, William. The Collected Poems. London: Wordsworth, 1994. Print.
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Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.hdl_11089_8480
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