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2013 | 3 | 171-185

Article title

Eroticism and Justice: Harold Pinter’s Screenplay of Ian McEwan’s The Comfort of Strangers

Content

Title variants

Languages of publication

EN

Abstracts

EN
A careful analysis of Harold Pinter’s screenplays, notably those written in the 1980s and early 1990s, renders an illustration of how the artist’s cinematic projects supplemented, and often heightened, the focus of his dramatic output, his resolute exploration of the workings of power, love and destruction at various levels of social interaction and bold revision of received values. It seems, however, that few of the scripts did so in such a subtle yet effective manner as Pinter’s intriguing fusion of the erotic, violence and ethical concerns in the film The Comfort of Strangers (1990), directed by Paul Schrader and based on Ian McEwan’s 1981 novel of the same name. The article centres upon Pinter’s creative adaptation of McEwan’s deeply allusive and disquieting text probing, amongst others, the intricacies and tensions of gender relations and sexual intimacy. It examines the screenplay-regarded by many critics as not merely an adaptation of the novel but another, very powerful work of art-addressing Pinter’s method as an adapter and highlighting the artist’s imaginative attempts at fostering a better appreciation of the connections between authoritarian impulses, love and justice. Similarly to a number of other Pinter filmscripts and plays of the 1980s and 1990s, the erotic and the lethal alarmingly intersect in this screenplay where the ostensibly innocent-an unmarried English couple on a holiday in Venice, who are manipulated, victimized and, ultimately, destroyed-are subtly depicted as partly complicit in their own fates.

Keywords

Year

Volume

3

Pages

171-185

Physical description

Dates

published
2013-11-01
online
2013-11-01

Contributors

  • University of Łódź

References

  • Batty, Mark. Harold Pinter. Horndon: Northcote, 2001. Print.
  • Billington, Michael. The Life and Work of Harold Pinter. London: Faber, 1996. Print.
  • Burkman, Katherine H. “Harold Pinter’s Death in Venice: The Comfortof Strangers.” Pinter Review: Annual Essays 1992-93. Ed. Francis Gil len and Steven H. Gale. Tampa, Florida: U of Tampa P, 1993. 38-45. Print.
  • Gale, Steven H., ed. The Films of Harold Pinter. Albany, NY: State U of New York P, 2001. Print.
  • ---. “Harold Pinter, Screenwriter: An Overview.” The Cambridge Companionto Harold Pinter. Ed. Peter Raby. 2nd ed. Cambridge: Cambridge UP, 2009. 88-104. Print.
  • Grimes, Charles V. Harold Pinter’s Politics: A Silence Beyond Echo. Madison, Teaneck: Fairleigh Dickinson UP, 2005. Print.
  • Gussow, Mel. Conversations with Pinter. London: Hern, 1994. Print.
  • Hall, Ann C. “Daddy Dearest: Harold Pinter’s The Comfort of Strangers.” The Films of Harold Pinter. Ed. Steven H. Gale. Albany, NY: State U of New York P, 2001. 87-98. Print.
  • Malcolm, David. Understanding Ian McEwan. Columbia, South Carolina: U of South Carolina P, 2002. Print.
  • McEwan, Ian. The Comfort of Strangers. London: Pan, 1982. Print.
  • Pinter, Harold. “The Art of the Theatre.” Interview by Lawrence M. Bensky in The Paris Review, 1966. Pinter in the Theatre. Comp. Ian Smith. London: Hern, 2005. 49-66. Print.
  • ---. “The Birthday Party.” Plays One. London: Methuen Drama, 1989. 17-97. Print.
  • ---. “The Comfort of Strangers.” Collected Screenplays Three. London: Faber, 2000. 242-328. Print.
  • ---. “The French Lieutenant’s Woman.” Collected Screenplays Three. London: Faber, 2000. 1-138. Print.
  • ---. “The Hothouse.” Plays One. London: Methuen Drama, 1989. 201-77.Print.
  • ---. “The New World Order.” Plays Four. London: Faber, 1998. 269-78.Print.
  • ---. “Nobel Literature Lecture 2005: Art, Truth and Politics.” Pinter Review. Nobel Prize/Europe Theatre Prize Volume: 2005-2008. Ed. Francis Gillen and Steven H. Gale. Tampa, Florida: U of Tampa P, 2008. Print. 6-17.
  • ---. “One for the Road.” Plays Four. London: Faber, 1998. 221-48. Print.
  • ---. Various Voices: Prose, Poetry, Politics 1948-2005. London: Faber, 2005.Print.
  • ---. “Writing for the Theatre.” Plays One. London: Methuen Drama, 1989. 9-16. Print.
  • Prentice, Penelope. The Pinter Ethic: The Erotic Aesthetic. New York: Garland, 2000. Print.
  • Slay, Jack, Jr. Ian McEwan. New York: Twayne, 1996. Print.
  • Williams, Tennessee. A Streetcar Named Desire. London: Methuen, 2009. Print.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.hdl_11089_8500
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