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2014 | 24 | 2 |

Article title

Klarowność wypowiedzi dramatycznej, czyli irlandzki dramat końca wieku dwudziestego

Authors

Content

Title variants

PL
Against Eloquence: Irish Drama at Century’s End

Languages of publication

Abstracts

EN
Synge, with his “fully-flavoured” Hiberno-English established a tradition of Irish theatrical eloquence that has come down into the contemporary period in the lyrical fluencies of Brian Friel, the vatic speech of Frank McGuinness and the Midlands poeticism of Marina Carr. Tom Murphy, however, set a different sort of precedent, resistant to such eloquence, forging a stage speech instead from the broken language of the inarticulate. The aim of this paper is to explore the rejection of ‘poetry talk’ in contemporary Irish drama, and the various ideolects created by Billy Roche, Conor McPherson, Martin McDonagh, Mark O’Rowe and Enda Walsh.

Keywords

Year

Volume

24

Issue

2

Physical description

Dates

published
2014

References

Document Type

Publication order reference

Identifiers

URI
http://hdl.handle.net/11089/9107

YADDA identifier

bwmeta1.element.hdl_11089_9107
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