Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2011 | 1 | 76-91

Article title

"Of all creatures women be best, / Cuius contrarium verum est": Gendered Power in Selected Late Medieval and Early Modern Texts

Authors

Content

Title variants

Languages of publication

EN

Abstracts

EN
The aim of this paper is to examine images of the relationship between men and women in selected late medieval and early modern English texts. I will identify prevalent ideology of representation of women as well as typical imagery associated with them. I will in particular argue that men whose homosocial laughter performs a solidifying function of their community seek to reiterate their superiority over women through seemingly playful and inclusive humour. I will attempt to show that what appears to be good-natured entertainment is actually a weapon used against women who, often accused of no sense of humour, are ridiculed and commanded to succumb to male authority. I will also discuss the triumphant tone of both poems and dramatic writings whose cheerful tone functions to marginalize women and to reinforce the misogynistic foundations of public life.

Keywords

Year

Volume

1

Pages

76-91

Physical description

Dates

published
2011-01-01
online
2011-11-23

Contributors

author
  • University of Łódź

References

  • Amussen, Susan Dwyer. "‘Being Stirred to Much Unquietness’: Violence and Domestic Violence in Early Modern England." Journal of Women's History 6.2 (1994): 70. Academic Search Elite. EBSCO. Web. 10 Mar. 2010.
  • Amussen, Susan Dwyer. "Punishment, Discipline, and Power: The Social Meanings of Violence in Early Modern England." Journal of British Studies 34.1 (1995): 1. Literary Reference Center. EBSCO. Web. 10 Mar. 2010.[Crossref]
  • Barber, Richard. Bestiary, Being an English Version of the Bodleian Library Oxford M. S. Bodley 764 with All the Original Miniatures Reproduced in Facsimile. 1992. Trans. Richard Barber. Woodbridge: Boydell, 1999.
  • Beadle, Richard, ed. The York Plays. London: Arnold, 1982.
  • Bloch, R. H. "Medieval Misogyny." Representations 20 (1985): 1-24.
  • Chaganti, Seeta. "Choreographing Mouvance: The Case of the English Carol." Philological Quarterly 87.1/2 (2008): 77-103. Academic Search Elite. EBSCO. Web. 10 Mar. 2010.
  • Elliott, Dyan. "Marriage." The Cambridge Companion to Medieval Women's Writing. Ed. Carolyn Dinshaw and David Wallace. Cambridge: Cambridge University Press, 2003. 40-57.
  • Epstein, Rober. "Lydgate's Mummings and the Aristocratic Resistance to Drama." Comparative Drama 2 (2002). N. pag. 14 Mar. 2010 http://www.thefreelibrary.com/Lydgate's+mummings+and+the+aristocratic+resistance+to+drama.-a0104080539.
  • "Fairford Church." Sacred Destinations: A Richly Illustrated Guide to the World's Greatest Sacred Sites, Religious Art and Architecture, and Historic Religious Places. 2005-2010. 15 Mar. 2010
  • Fulwell, Ulpian. "Like Will to Like." A Select Collection of Old English Plays Now First Chronologically Arranged, Revised and Enlarged with the Notes of All the Commentators, and New Notes by W. Carew Hazlitt. 1744. Ed. Robert Dodsley. 4th ed. 3 vols. New York: Benjamin Blom, 1964. 303-59.
  • Greene, R. L., ed. The Early English Carols. Oxford: Clarendon, 1977.
  • Janicka, Irena. The Comic Elements in the English Mystery Plays Against the Cultural Background (Particularly Art). Poznań: Polskie Wydawnictwo Naukowe, 1962.
  • Johnson, Ian. "Xpmbn: The Gendered Ciphers of the Book of Brome and the Limits of Misogyny." Women: Cultural Review 18:2 (2007). 145-61.
  • Lumiansky, R. M. and D. Mills, eds. The Chester Cycle. Early English Text Society s.s. 3, 9. London: Oxford University Press, 1986.
  • McCarthy, Conor. Marriage in Medieval England: Law, Literature and Practice. Woodbridge: Boydell, 2004.
  • Mendelson, Sara and Patricia Crawford. Women in Early Modern England. 1998. Oxford: Clarendon Press, 2003.
  • Meredith, Peter. "The Townely Cycle." The Cambridge Companion to Medieval English Theatre. 1994. Ed. Richard Beadle. Cambridge: Cambridge University Press. 2003. 134-62.
  • Owst, G. R. Literature and Pulpit in Medieval England. Oxford: Blackwell, 1966.
  • Perfetti, Lisa. Women and Laughter in Medieval Comic Literature. Ann Arbor: University of Michigan Press, 2003.
  • Pizan, Christine de. The Treasure of the City of Ladies or the Book of the Three Virtues. Trans. Sarah Lawson. London: Penguin, 1985.
  • Robinson, F. N. ed. The Riverside Chaucer. 3rd ed. Oxford: Oxford University Press, 1988.
  • Salih, Sarah. "At Home; Out of the House." The Cambridge Companion to Medieval Women's Writing. Ed. Carolyn Dinshaw and David Wallace. Cambridge: Cambridge University Press, 2003. 124-40.
  • Sedgwick, Eve Kosofsky. Between Men: English Literature and Male Homosocial Desire. New York: Columbia University Press, 1985.
  • Shahar, Shulamith. The Fourth Estate: A History of Women in the Middle Ages. Trans. Chaya Galai. London: Routledge, 1983.
  • Skelton, John. "Magnyfycence." Four Morality Plays. Ed. Peter Happé. Harmondsworth: Penguin. 211-312. 1979.
  • Spector, Steven, ed. The N-Town Play. Early English Text Society s.s. 11-12. Oxford: Oxford University Press, 1981.
  • Stevens, John. Music and Poetry in the Early Tudor Court. Cambridge: Cambridge University Press, 1979.
  • Stevens, Martin and A. C. Cawley, eds. The Towneley Plays. Early English Text Society s.s. 13-14. Oxford: Oxford University Press, 1994.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.hdl_11089_914
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.