„Украинские мелодии” Н. Маркевича: между Томасом Муром и Афанасием Фетом

• Authors: Ляпина, Лариса

Title variants

RU

Mykola Markevych’s “Ukrainian Melodies”: Between Thomas Moore and Afanasy Fet

Abstracts

EN

The aim of the article is to analyze the poetics of Mykola Markevych’s main book of lyric poems (“Ukrainskiia melodii”, 1831). It belongs to a particular neo-genre called melody, which formed its own tradition. Its beginnings are connected with the followers of Thomas Moore and George Byron, while its climax in the Russian poetry came with Afanasy Fet’s “Melodies”. Within this genre Markevych formed an interesting folk-ballad type of “melody”, using special versifying methods; he made his texts both rhythmical and expressive and gave his book a complex unified composition.

Keywords

EN

lyric poetry; genre; tradition; cycle; ballad; versification; Mykola Markevych

• Publisher: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
• Journal: Acta Universitatis Lodziensis. Folia Litteraria Rossica
• Year: 2014
• Volume: 07

Dates

published

2014

Contributors

author

Ляпина, Лариса

other

Российский государственный педагогический университет, им. А. И. Герцена, Филологический факультет, Кафедра русской литературы, 191186 Санкт-Петербург, наб. Мойки, 48

Identifiers

URI

http://hdl.handle.net/11089/9202