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2012 | 9 | 26-33
Article title

Polish Macbeth and the Middle East Crisis

Content
Title variants
Languages of publication
EN
Abstracts
Keywords
Year
Volume
9
Pages
26-33
Physical description
Dates
online
2012-12-28
Contributors
  • Assistant Professor at the British and Commonwealth Studies Department, University of Lodz, Poland
References
  • Anon., “Szekspir pod mostem,” E-teatr, 16 July 2008. <http://www.eteatr. pl/pl/artykuly/58003.html?komentarz=18717>.
  • Collett, Christopher. “Macbeth: Who Is That Bloodied Man?” Metro. <http://www.metro.co.uk/metrolife/edfest/61838-macbeth-who-is-that-bloodiedman# ixzz1oU515ICF>.
  • Comerford, Patrick. “Poems for Lent (1): ‘Ash Wednesday’, TS Eliot.” 22 February 2012. Patrick Comerford Blog. <http://revpatrickcomerford.blogspot.com.au/2012/02/poems-for-lent-1-ashwednesday- ts-eliot.html>.
  • Dekel, Ayelet. “Blood on His Hands: Shakespeare in the Street”. Midnight East 13 June 2009. <http://www.midnighteast.com/mag/>.
  • Drewniak, Łukasz, “Wirusy MacBetha,” Foyer 1 (2005), E-teatr, available at <http://www.eteatr. pl/pl/artykuly/44455,druk.html>.
  • Eliot, T.S. Collected Poems, 1909-1962. The Centenary Edition. Harcourt Brace Jovanovich, 1991.
  • Fisher, Mark. “Stilted performance”. The List (581) 1 August 2007. <http://edinburghfestival.list.co.uk/article/2599-stilted-performance/>.
  • Gibinska, M. and J. Limon., eds., Hamlet West-East, Gdansk: Theatrum Gedanense Foundation, 1998.
  • Isherwood, Charles, “A Bunny, Too, Can Strut and Fret Upon This Stage,” New York Times. <http://theater.nytimes.com/2008/06/23/theater/reviews/23macb.html?8dpc>.
  • Kirwan, Peter. “Macbeth: Who Is That Bloodied Man? @ The Square2, National Theatre”. The Bardathon 11 August 2008. <http://blogs.warwick.ac.uk/pkirwan/tag/macbeth/>.
  • Komorowski, Jaroslaw, Piramida zbrodni. Makbet w kulturze polskiej 1870-1989, Warszawa, Instytut Sztuki PAN: 2002.
  • Kott, Jan, Szekspir wspolczesny, Warszawa: PIW, 1965.
  • Krakowska, Joanna. “Shakespeare’s Paradoxical Victory: the 1990s.” Theatre ResearchInternational 21 (1996): 164-170.
  • Kujawinska-Courtney, Krystyna. “Der polnische Prinz: Rezeption und Appropriation des Hamlet in Polen”. Shakespeare-Jahrbuch (1995), 82-92.
  • Kujawinska-Courtney, Krystyna and Katarzyna Kwapisz Williams. “‘The Polish Prince’: Studies in Cultural Appropriation of Shakespeare’s Hamlet in Poland.” Hamlet Works. Ed. B.W. Kliman. USA, 2008. <www.hamletworks.org>.
  • Miłkowski, Tomasz, “Makbet na kazdej scenie,” Przeglad 14/10.04 (2005). <http://www.eteatr. pl/pl/artykuly/10944.html>.
  • Moscicki, Tomasz, “Totalne Zmakbecenie,” Odra 12 (2005). <http://fotomost.acn.waw.pl/teatrtxt/Zmakbecenie.htm>.
  • Ryzik, Melena “A Polish Macbeth to go to Brooklyn,” The New York Times, 11.06.2008. <http://www.nytimes.com/2008/06/13/arts/13iht-play.1.13637969.html>.
  • Taylor, James C. “Many faces of Macbeth. Shakespeare's ‘Scottish Play’ meets an array of modern interpretations,” The Christian Science Monitor, 2 May 2008. <http://www.csmonitor.com/2008/0502/p13s01-almp.html>.
  • Wyżynska, Dorota, “Makbet jedzie do Nowego Jorku,” Gazeta Wyborcza - Stołeczna 299 (2004). <http://www.teatry.art.pl/!recenzje/macbeth_jar/mjdno.htm>.
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.hdl_11089_9458
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