The Hidden Gaze of the Other in Michael Haneke'sHidden

• Authors: Tomasz Dobrogoszcz
• Languages of publication: EN

Abstracts

EN

In his 2005 French production Hidden (Caché), Michael Haneke continues disturbing his audience with poignant and stirring images. When Georges and Anne Laurent keep finding on their doorstep videotapes showing the exterior of their house filmed with a hidden camera, they do not realize that trying to trace the identity of the photographer will lead Georges back to his deeply concealed childhood atrocity and gravely affect their present life. With Hidden, Haneke presents a provocative case of Freudian return of the repressed and probes the uncertain grounding and pretentiousness of French national self-importance.The article attempts an analysis of Hidden from two interconnected perspectives, provided by the use of the Lacanian category of the gaze in relation to film studies and by the application of certain categories derived from post-colonial theory (voiced here by Homi Bhabha). The discussion ventures to demonstrate that the camera-eye "hidden" in its impossible position can be interpreted as a gaze imagined by Georges in the field of the Other. The voyeuristic act of filming also suggests the question of colonial surveillance, which relates to the racial issue underlying the conflict repressed by Georges. Haneke investigates the way in which the symbolic power bestowed on the authority of the French state facilitates discrimination. Georges, a model representative of the civil/civilized society, is shown as rent by primal fears of imaginary savage "terror," desperately trying to fortify his dominion against Algerian aggressors who are otherwise a necessary part of the structure.

• Publisher: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
• Journal: Text Matters: A Journal of Literature, Theory and Culture
• Year: 2011
• Volume: 1
• Pages: 226-238

Dates

published

2011-01-01

online

2011-11-23

Contributors

author

Tomasz Dobrogoszcz

• University of Łódź

References

• Bhabha, Homi K. The Location of Culture. London: Routledge, 1990.
• Face "Caché" [Documentary on the making of Caché]. Dir. Yves Montmayeur. Perf. Michael Haneke. Hidden. DVD.
• Funny Games. Dir. Michael Haneke. Artificial Eye, 1997. DVD.
• Hidden (Caché). Dir. Michael Haneke. Artificial Eye, 2006. DVD.
• McGowan, Todd. The Real Gaze: Film Theory after Lacan. New York: State University of New York Press, 2008.
• Lacan, Jacques. "Of the Gaze as Objet Petit a." The Four Fundamental Concepts of Psycho-Analysis. Trans. Alan Sheridan. New York: Norton, 1981. 67-122.
• Lost Highway. Dir. David Lynch. Universal Studios, 1997. DVD.
• Thomas, Jonathan. "Michael Haneke's New(s) Images." Art Journal 67.3 (2008). Questia. 22 Dec 2009.
• Wood, Robin. "Hidden in Plain Sight: Robin Wood on Michael Haneke's Caché." Artforum International 44.5 (2006). Questia. 22 Dec 2009.
• Yacowar, Maurice. "Caché and the Private/public Secret." Queen's Quarterly 113.2 (2006). Questia. 22 Dec 2009.

Identifiers

DOI

10.2478/v10231-011-0017-4