Filozofia muzyki Artura Schopenhauera

• Authors: Lorenz, Andrzej

Title variants

EN

Artur Schopenhauer’s philosophy of music

Abstracts

EN

The aim of this article is to present the philosophical understanding of the essence and the meaning of music, which was shaped in the early nineteenth century, under the influence of instrumental music of Ludwig van Beethoven. It is an attempt at outlining the main areas of similarity that exist between E.T.A. Hoffmann and Arthur Schopenhauer in terms of theoretical thinking about the metaphysical essence and aesthetic sense of instrumental music in the spirit of nineteenth-century philosophy of music. At the beginning of the nineteenth century aesthetic reflection on music reached an epochal point marking a remarkable breakthrough in the understanding, reception and evaluation of individual musical works. The theoretical definition of the hierarchy of aesthetic experience of human spirituality assigns the pure instrumental music of Ludwig van Beethoven the highest rank, thus creating a new concept of romantic musical aesthetic.

Keywords

EN

music; aesthetic reflection; Beethoven; Schopenhauer; E. T. A. Hoffmann; muzyka; refleksja estetyczna

PL

Beethoven; Schopenhauer; E. T. A. Hoffmann; muzyka; refleksja estetyczna

• Publisher: Bialystok University Press
• Journal: IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
• Year: 2016
• Volume: 28/1
• Pages: 22-40

Dates

published

2016

Contributors

author

Lorenz, Andrzej

References

• A. Schopenhauer, Świat jako wola i przedstawienie, przeł. J. Garewicz, t. I-II, Warszawa 1994-95.
• R. Carter, Tajemniczy świat umysłu, przeł. B. Kamiński, Poznań 1999.
• E.T.A. Hoffmann, Musikalische Schriften, Stuttgart 1906.
• A. Kertz-Welzel, Die Transzendenz der Gefühle. Beziehungen zwischen Musik und Gefühl bei Wackenroder, Tieck und die Musikästhetik der Romantik, St. Ingbert 2001.

Identifiers

URI

http://hdl.handle.net/11320/5505

DOI

10.15290/idea.2016.28.1.02