EN
The article is a semiotic study of the artistic installation Agora designed by a famous Polish sculptor Magdalena Abakanowicz, based on the theoretical grounds of Cognitive Semantics. Metaphor and metonymy are conceptual processes whose communicative function is discussed in the paper, in particular, their role in deciphering possible meanings of the artwork. The paper also demonstrates how the multimodal analysis of the verbo-visual material can give rise to diverse interpretations of the figures.