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Publisher
Sciendo
Journal
Acta Universitatis Sapientiae, Film and Media Studies
Year
2013
Volume
7
Issue
1
Identifiers
Cover
Volume contents
1
article:
Thinking Like a Carpet: Embodied Perception and Individuation in Algorithmic Media
(
Marks L. U.
), p. 7-20
article:
Seeing to Believe – Sensing to Know From Film Form to Perceptual Environment
(
Spielmann Y.
), p. 21-34
article:
Visuality and Narration in Monsters, Inc.
(
Schröter J.
), p. 35-47
article:
Geography of the Body: Jean Epstein’s Poetics and Conceptualization of the Body in his Unpublished Writings
(
Fernández D. P.
), p. 49-63
article:
Avoid Contact with the Eyes and Skin, May Cause Irritation: Agnès Varda’s La Pointe courte (1954)
(
Hardy F. M.
), p. 65-82
article:
Haptic Vision and the Experience of Difference in Agnès Varda’s Les Glaneurs et la glaneuse (2000)
(
Chareyron R.
), p. 83-96
article:
Of Artists and Models. Italian Silent Cinema between Narrative Convention and Artistic Practice
(
Blom I.
), p. 97-110
article:
The Body as Interstitial Space between Media in Leçons de Ténèbres by Vincent Dieutre and Histoire d’un Secret by Mariana Otero
(
Monteiro M.
), p. 111-126
article:
Sensations of Dysphoria in the Encounter of Failing Bodies: The Cases of Karaoke by Donigan Cumming, Last Days by Gus Van Sant, and Drunk by Gillian Wearing
(
Tremblay É.
), p. 127-139
article:
Affective Realism and the Brand New Brazilian Cinema
(
Lira R.
), p. 141-151
article:
The New Realistic Trend in Contemporary World Cinema: Ramin Bahrani’s Chop Shop as a Case Study
(
Canet F.
), p. 153-167
article:
Unsettling Melodies: a Cognitive Approach to Incongruent Film Music
(
Willemsen S.
,
Kiss M.
), p. 169-183
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