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Publisher
Sciendo
Journal
Acta Universitatis Sapientiae, Film and Media Studies
Year
2015
Volume
11
Issue
1
Identifiers
Cover
Volume contents
1
article:
Real Bodies in (Un)real Spaces: Space, Movement, and the Installation Sensibility in Lech Majewski’s The Mill and the Cross
(
Chakravorty S.
), p. 7-27
article:
The Draughtsman’s Contract and the Crisis of Structuralism
(
Fry P. H.
), p. 29-37
article:
Between Absorption, Abstraction and Exhibition: Inflections of the Cinematic Tableau in the Films of Corneliu Porumboiu, Roy Andersson and Joanna Hogg
(
Pethő Á.
), p. 39-76
article:
Spectacular Attractions: Museums, Audio-Visuals and the Ghosts of Memory
(
Mandelli E.
), p. 77-92
article:
Memento and the Embodied Fabula: Narrative Comprehension Revisited
(
Hven S.
), p. 93-110
article:
Visual Composition of Bodily Presence. A Phenomenological Approach to Paul Thomas Anderson’s The Master
(
Gyenge Z.
), p. 111-125
article:
Performing the Unspeakable. Intermedial Events in András Jeles’s Parallel Lives
(
Pieldner J.
), p. 127-142
article:
Derek Jarman’s Allegories of Spectacle: Inter-Artistic Embodiment
(
Chinita F.
), p. 143-158
article:
Pictorial Imagery, Camerawork and Soundtrack in Dario Argento’s Deep Red
(
Giusti G. L.
), p. 159-179
article:
Intermediality and Reflexivity in Andrzej Żuławski’s Fidelity
(
Bene A.
), p. 181-193
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