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Abstracts
This paper aims to examine the context in which an iconographic topic, namely, the visual representations of Saint Christopher, was disseminated from the south to the north of the Carpathian Mountains, in the second half of the 18th century and the beginning of the 19th century. In order to identify the circulation routes of the theme, I will investigate the artistic and spiritual relationship between the Romanian communities from southern Transylvania and those from Wallachia. The present analysis will also include the confessional solidarity between the Orthodox groups from both sides of the Carpathians and its role in the creation and transmission of a homogenous religious iconographic program.
This paper aims to examine the context in which an iconographic topic, namely, the visual representations of Saint Christopher, was disseminated from the south to the north of the Carpathian Mountains, in the second half of the 18th century and the beginning of the 19th century. In order to identify the circulation routes of the theme, I will investigate the artistic and spiritual relationship between the Romanian communities from southern Transylvania and those from Wallachia. The present analysis will also include the confessional solidarity between the Orthodox groups from both sides of the Carpathians and its role in the creation and transmission of a homogenous religious iconographic program.
Publisher
Journal
Year
Volume
Physical description
Dates
published
2019
online
2019-10-28
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author
References
Document Type
Publication order reference
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DOI
YADDA identifier
bwmeta1.element.ojs-doi-10_12775_27690
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