Scenariusz filmowy i jego odmiany: Studium przedmiotu.

• Authors: Marek Hendrykowski

Title variants

EN

Screenplay, Its Kinds and Its Forms

• Languages of publication: PL

Abstracts

PL

Screenplay, Its Kinds and Its Forms Screenplay is a phenomenon located between two different worlds, spheres and cultures: literature and cinema. In his study, Marek Hendrykowski examines the meaning and functions of all crucial terms connected with film script and screenplay, among them: concept, log line, story, synopsis, treatment, draft, first draft, storyboard, director’s draft, final script and shooting script. The author sketches step by step each of these various forms of scenario in detail, explains what they are about and why they are necessary. He also stresses the importance of rewriting and script development in the process of film creation as a means of taking the achievement to a higher level.

EN

Screenplay is a phenomenon located between two different worlds, spheres and cultures: literature and cinema. In his study, Marek Hendrykowski examines the meaning and functions of all crucial terms connected with film script and screenplay, among them: concept, log line, story, synopsis, treatment, draft, first draft, storyboard, director’s draft, final script and shooting script. The author sketches step by step each of these various forms of scenario in detail, explains what they are about and why they are necessary. He also stresses the importance of rewriting and script development in the process of film creation as a means of taking the achievement to a higher level.

Keywords

PL

screenwriting; screenwriter; scenarist; scenario; screenplay; script; concept; idea sketch; log line; novel; story outline; step outline; continuity; treatment; synopsis; draft; first draft; master-scene script; storyboard; director's draft; final script; shooting script

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
• Year: 2012
• Volume: 11
• Issue: 20
• Pages: 133-150

Dates

published

2012-06-13

Contributors

author

Marek Hendrykowski

• Katedra Filmu, Telewizji i Nowych Mediów UAM

References

• M. Hendrykowski, Słownik terminów filmowych, Poznań 1994; idem, Leksykon gatunków filmowych, Poznań 2001.
• M. Karpiński, Niedoskonałe odbicie. O sztuce scenariusza filmowego dla scenarzystów, dla przyszłych scenarzystów i dla wszystkich, którzy kochają kino (Warszawa 1995; wydanie drugie: Niedoskonałe odbicie. Warsztat scenarzysty filmowego, Warszawa 2006).
• R. Bocian, M. J. Zabłocki, Angielsko-polski słownik terminów filmowych, telewizyjnych i wideo (Wrocław 2001).
• M. Karpiński, Między filmem i literaturą, w: idem, Niedoskonałe odbicie. Warsztat scenarzysty filmowego, op. cit., s. 42 i nast.
• E. Sapir, Kultura, język, osobowość: wybrane eseje, przeł. B. Stanosz,
• R. Zimand, Warszawa 1978, oraz B.L.Whorf, Język, myśl i rzeczywistość, przeł. T. Hołówka, Warszawa 2002.

Identifiers

DOI

10.14746/i.2012.20.10