Jerzy Wójcik – estetyka światła

• Authors: Krzysztof Kozłowski

Title variants

EN

Jerzy Wójcik - light aesthetics

• Languages of publication: PL

Abstracts

PL

The article shows the creative way of Jerzy Wójcik, from his first artistic trials to the beginning of his career as a cameraman with Andrzej Munk, Andrzej Wajda and Jerzy Kawalerowicz, to his late films made together with Stanisław Różewicz. Particularly significant are the “changes of light”, the key to understanding the art of Wójcik’s films. They are examined one by one in reference to such issues as the depth system, the aesthetics of black-and-white and grey, the art of the icon and the blue hour. 

EN

The article shows the creative way of Jerzy Wójcik, from his first artistic trials to the beginning of his career as a cameraman with Andrzej Munk, Andrzej Wajda and Jerzy Kawalerowicz, to his late films made together with Stanisław Różewicz. Particularly significant are the “changes of light”, the key to understanding the art of Wójcik’s films. They are examined one by one in reference to such issues as the depth system, the aesthetics of black-and-white and grey, the art of the icon and the blue hour. 

Keywords

PL

film; aesthetics of light; blue hour; Andrzej Munk; Stanisław Różewicz; the law of subtraction

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
• Year: 2014
• Volume: 14
• Issue: 23
• Pages: 249-258

Dates

published

2014-01-13

Contributors

author

Krzysztof Kozłowski

• Uniwersytet im. Adama Mickiewicza w Poznaniu, Katedra Filmu, Telewizji i Nowych Mediów

References

• J. Wójcik, Labirynt światła, Wydawnictwo Canonia, Warszawa 2006, s. 7, 215.
• T. Lubelski, Historia kina polskiego. Twórcy, filmy, konteksty, Videograf II, Katowice–Chorzów 2008, s. 207–208.
• U. Eco, Sztuka i piękno w średniowieczu, przeł. M. Olszewski i M. Zabłocka, Wydawnictwo Znak, Kraków 1994, s. 70.

Identifiers

DOI

10.14746/i.2014.23.23