Wokół definicji parodii filmowej

• Authors: Marek Hendrykowski

Title variants

EN

Around the definition of a movie parody

• Languages of publication: PL

Abstracts

PL

The revision of key topics that are related to film parody. The crucial question of Marek Hendrykowski’s research sounds as follows: what is the semiotic mechanism that gives parodistic effect expressed in the language of motion pictures? According to the author, conditio sine qua non of each parody are: incorrectness, caricatural exaggeration, comic effect, deconstruction, pars destruens and new meaning of old characteristic elements confronting the audience and its common memory. In the light of new reading and revised definition of this term, film parody is not a separate genre but rather meta-genre in its relations to many other film genres and individual screen performances being object of parody

EN

The revision of key topics that are related to film parody. The crucial question of Marek Hendrykowski’s research sounds as follows: what is the semiotic mechanism that gives parodistic effect expressed in the language of motion pictures? According to the author, conditio sine qua non of each parody are: incorrectness, caricatural exaggeration, comic effect, deconstruction, pars destruens and new meaning of old characteristic elements confronting the audience and its common memory. In the light of new reading and revised definition of this term, film parody is not a separate genre but rather meta-genre in its relations to many other film genres and individual screen performances being object of parody

Keywords

PL

parody; film parody; genre; metagenre; comic effect; intertext; pars destruens; renewal; restoration; parody in contemporary cinema and new medias; parodia; parodia filmowa

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
• Year: 2014
• Volume: 14
• Issue: 23
• Pages: 29-38

Dates

published

2014-01-13

Contributors

author

Marek Hendrykowski

• Uniwersytet im. Adama Mickiewicza w Poznaniu, Katedra Filmu, Telewizji i Nowych Mediów

Identifiers

DOI

10.14746/i.2014.23.4